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WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
---|---|---|---|---|---|---|---|---|---|
1 | 1 |
CREATING AND EXECUTION
|
Picture Making - Fiddle Bow Construction
Picture Making - Instrument Safety and Care |
By the end of the
lesson, the learner
should be able to:
- Make a bow for the fiddle. - Apply rosin to the bowstring. - Demonstrate patience in craft-making. |
Learner is guided to:
- Collect materials for making a bow: flexible stick, sisal string, rosin, glue. - Prepare the stick by cutting to length and smoothening. - Attach the bowstring and create the bow's curve. - Apply rosin to increase friction for sound production. |
How is a bow made for a string instrument?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 13
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 14 |
Observation
-Project assessment
-Peer feedback
|
|
1 | 2 |
CREATING AND EXECUTION
|
Picture Making - Instrument Cleaning and Maintenance
|
By the end of the
lesson, the learner
should be able to:
- Clean and maintain a string instrument. - Explain the importance of instrument care. - Show responsibility in caring for instruments. |
Learner is guided to:
- Take turns to practice cleaning and storing a string instrument. - Discuss the importance of caring for and maintaining a string instrument. - Demonstrate proper cleaning techniques. - Apply rosin to bow strings as needed. |
How should string instruments be cared for and maintained?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 15
|
Observation
-Practical assessment
-Peer feedback
|
|
1 | 3 |
CREATING AND EXECUTION
|
Picture Making - Digital Recording of Instrument Care
Picture Making - Fiddle Tuning |
By the end of the
lesson, the learner
should be able to:
- Record a video of the cleaning process. - Demonstrate digital literacy skills. - Show interest in documenting processes. |
Learner is guided to:
- In pairs, demonstrate how to clean a string instrument. - Record a video of the cleaning process. - Exchange roles and record each other. - Save the video in a digital portfolio. |
How can digital technology enhance learning about instrument care?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 15
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 15-16 |
Video assessment
-Digital portfolio check
-Peer feedback
|
|
1 | 4 |
CREATING AND EXECUTION
|
Picture Making - Stippling Technique Introduction
|
By the end of the
lesson, the learner
should be able to:
- Identify pictures drawn using stippling technique. - Describe the effect of stippling in creating texture. - Show interest in drawing techniques. |
Learner is guided to:
- Study drawings created using stippling technique. - Identify items in the pictures. - Determine the direction of light on the items. - Discuss how light and dark parts are achieved. - Identify items with rough and smooth textures. |
How does the stippling technique create texture in drawings?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 16-17
|
Observation
-Oral questions
-Discussion assessment
|
|
1 | 5 |
CREATING AND EXECUTION
|
Picture Making - Digital Stippling Research
Picture Making - Still Life Drawing Principles |
By the end of the
lesson, the learner
should be able to:
- Search and discuss drawings with stippling technique. - Identify balance, texture, and light in drawings. - Value digital resources for learning. |
Learner is guided to:
- Search and discuss drawings created using stippling technique from digital sources. - Identify items in the pictures. - Discuss light direction and texture creation. - Analyze balance in the compositions. |
How do artists use stippling to create different effects?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 17
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 17-18 |
Observation
-Digital literacy assessment
-Group discussion assessment
|
|
1 | 6 |
CREATING AND EXECUTION
|
Picture Making - Stippling Musical Instruments
|
By the end of the
lesson, the learner
should be able to:
- Sketch a musical instrument. - Apply stippling technique to create texture. - Show creativity in drawing. |
Learner is guided to:
- Draw a musical instrument using stippling technique. - Follow the procedure: sketch basic shapes, apply stippling for shadows, add details, create texture. - Focus on overlapping, balance, tone, and texture. |
How is stippling used to create form and texture in drawing?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 18-19
|
Observation
-Drawing assessment
-Portfolio
|
|
2 | 1 |
CREATING AND EXECUTION
|
Picture Making - String Instrument Still Life
Picture Making - Drawing Exhibition and Feedback |
By the end of the
lesson, the learner
should be able to:
- Create a still-life drawing of string instruments using stippling technique. - Apply proper technique for texture and tone. - Value precision in artistic work. |
Learner is guided to:
- Create a still-life drawing of string instruments using stippling technique. - Focus on overlapping, balance of forms, and tone/texture. - Apply stippling to show light, shadow, and different textures. - Create contrast and visual interest through dot density. |
How can stippling be used to represent different textures in musical instruments?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 19
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 20 |
Observation
-Drawing assessment
-Self-assessment
|
|
2 | 2 |
CREATING AND EXECUTION
|
Volleyball - Underarm Service and Dig Pass
|
By the end of the
lesson, the learner
should be able to:
- Identify serving and digging skills in volleyball. - Explain the importance of proper volleyball techniques. - Show interest in volleyball skills. |
Learner is guided to:
- Observe pictures showing serving and digging skills. - Identify the underarm serve and single-handed dig pass. - Discuss why the non-dominant hand is used to hold and toss the ball during serving. - Determine which part of the arm is suitable for hitting the ball during underarm serve. - Discuss the importance of good reception during play. |
How are the underarm service and dig pass skills performed in volleyball?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 49-50
|
Observation
-Oral questions
-Self-assessment
|
|
2 | 3 |
CREATING AND EXECUTION
|
Volleyball - Virtual Game Analysis
Volleyball - Underarm Service Stance and Grip |
By the end of the
lesson, the learner
should be able to:
- Watch a virtual volleyball game responsibly. - Identify serving and digging skills in a game situation. - Appreciate the execution of volleyball skills. |
Learner is guided to:
- Watch a virtual volleyball game responsibly in groups. - Identify serving and digging skills in the game. - Discuss the techniques observed. - Relate the observed techniques to the pictures studied in the previous lesson. |
How are the underarm service and dig pass skills applied in a volleyball game?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 50
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 51 |
Observation
-Discussion assessment
-Peer feedback
|
|
2 | 4 |
CREATING AND EXECUTION
|
Volleyball - Underarm Service Execution
|
By the end of the
lesson, the learner
should be able to:
- Execute the underarm service with proper technique. - Follow through correctly after service. - Demonstrate coordination in volleyball skills. |
Learner is guided to:
- Demonstrate the execution of underarm service. - Practice facing the net, tossing the ball with non-dominant hand. - Swing the arm forward to hit the ball at the bottom with the heel of the hand. - Practice the follow-through by moving the hitting hand in the direction of the serve. |
How is the execution and follow-through performed in the underarm service?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 51-52
|
Observation
-Skill assessment
-Self-assessment
|
|
2 | 5 |
CREATING AND EXECUTION
|
Volleyball - Group Service Practice
Volleyball - Service Technique Refinement |
By the end of the
lesson, the learner
should be able to:
- Perform the underarm service in a group activity. - Provide feedback on others' performance. - Show teamwork in group activities. |
Learner is guided to:
- In two groups of equal numbers, stand 5 meters apart facing each other. - Take turns demonstrating the stance, grip, execution, and follow-through in underarm service. - When one group serves, the other returns the ball by an underarm service. - Provide constructive feedback to each other. |
How can the underarm service be practiced effectively in a group?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 52
|
Observation
-Peer assessment
-Skill progression assessment
|
|
2 | 6 |
CREATING AND EXECUTION
|
Volleyball - Single-Hand Dig Pass Introduction
|
By the end of the
lesson, the learner
should be able to:
- Understand the single-hand dig pass technique. - Demonstrate the stance for single-hand dig pass. - Show interest in learning volleyball skills. |
Learner is guided to:
- Learn about the single-hand dig pass (used when the ball cannot be reached with both hands). - Practice the stance (feet comfortably wide apart, facing the direction of oncoming ball, knees bent). - Keep weight balanced on toes to spring forward or to either side. - Practice the stance in pairs. |
Why is the single-hand dig pass important in volleyball?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 52-53
|
Observation
-Skill assessment
-Self-assessment
|
|
3 | 1 |
CREATING AND EXECUTION
|
Volleyball - Single-Hand Dig Pass Execution
Volleyball - Dig Pass Paired Practice |
By the end of the
lesson, the learner
should be able to:
- Execute the single-hand dig pass with proper technique. - Follow through correctly after the dig pass. - Show coordination in volleyball skills. |
Learner is guided to:
- Practice execution of single-hand dig pass (moving to the side, reaching out to the ball). - Make contact with the forearm. - Push the ball upward and forward in the direction of the intended receiver. - Practice the follow-through by moving the arm slightly upward in the desired direction. |
How is the single-hand dig pass executed properly?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 53
|
Observation
-Skill assessment
-Peer feedback
|
|
3 | 2 |
CREATING AND EXECUTION
|
Volleyball - Combined Skills Practice
|
By the end of the
lesson, the learner
should be able to:
- Practice the single-hand dig pass in small groups. - Combine underarm service and single-hand dig pass. - Show cooperation in group activities. |
Learner is guided to:
- Practice in groups of threes. - Two members stand 4 meters apart facing one with a ball who stands 5 meters in front. - The member with the ball makes an underarm pass to each of the others one at a time. - Receivers use the single-hand dig and direct it back to the server. - Change roles and repeat until everyone practices both skills. |
How can the underarm service and single-hand dig pass be combined in practice?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 53
|
Observation
-Skill assessment
-Group dynamics assessment
|
|
3 | 3 |
CREATING AND EXECUTION
|
Volleyball - Mini Game Application
Volleyball - Rhythmic Warm-up |
By the end of the
lesson, the learner
should be able to:
- Play a mini volleyball game applying learned skills. - Observe volleyball rules in a game situation. - Show sportsmanship in game play. |
Learner is guided to:
- Form teams of 6 players. - Use a volleyball court to play a mini volleyball game. - Play sets of 7 points. - Put the ball into play using the underarm serve. - Make 3 touches before crossing the ball to opponents. - Earn points when the ball is grounded or when single-hand dig pass is used correctly. - Observe and appraise one another. |
How are volleyball skills applied in a game situation?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 53-54
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54 |
Observation
-Game performance assessment
-Peer assessment
|
|
3 | 4 |
CREATING AND EXECUTION
|
Volleyball - Applique Technique Introduction
Volleyball - Applique Design Creation |
By the end of the
lesson, the learner
should be able to:
- Understand the applique technique for labeling. - Collect materials for applique work. - Show interest in textile arts. |
Learner is guided to:
- Discuss the applique technique for labeling volleyball playing kits. - Collect appropriate materials for applique (fabric pieces, scissors, thread, needles, glue). - Consider material choice, color contrast, stitching or pasting methods, and positioning. - Plan the design for a volleyball kit label. |
What materials are appropriate for the applique technique?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Materials assessment
-Planning assessment
|
|
3 | 5 |
CREATING AND EXECUTION
|
Volleyball - Applique Kit Labeling
|
By the end of the
lesson, the learner
should be able to:
- Apply the applique technique to label a volleyball kit. - Use appropriate stitching or pasting methods. - Demonstrate precision in craftwork. |
Learner is guided to:
- Attach cut fabric pieces to the base fabric using stitching or pasting methods. - Ensure proper positioning of the design elements. - Focus on neat edges and secure attachment. - Consider color contrast for visibility of the label. - Complete the applique work with appropriate finishing. |
How is the applique technique applied to label a volleyball kit?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Project assessment
-Self-assessment
|
|
3 | 6 |
CREATING AND EXECUTION
|
Volleyball - Recyclable Drawing Materials
Volleyball - Player Pose Templates |
By the end of the
lesson, the learner
should be able to:
- Search for recyclable paper/drawing surfaces. - Identify suitable drawing materials. - Value environmental conservation through recycling. |
Learner is guided to:
- Search the environment for recyclable paper/drawing surfaces (newsprint, packaging papers, sugar paper, brown papers, tracing papers). - Discuss the properties of different papers for drawing. - Organize and prepare the collected materials for drawing activities. - Sort materials according to suitability for block shading. |
Which recyclable papers are suitable for drawing?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Materials assessment
-Environmental awareness assessment
|
|
4 | 1 |
CREATING AND EXECUTION
|
Volleyball - Block Shading Technique
|
By the end of the
lesson, the learner
should be able to:
- Use templates to draw outlines of volleyball players. - Apply block shading technique to the drawings. - Demonstrate creativity in artistic work. |
Learner is guided to:
- Use the templates to draw outlines of players executing volleyball skills. - Apply block-shading technique using appropriate media (pencils, charcoal, chalk, crayons). - Create contrast between the figures and the background. - Focus on creating a sense of movement in the drawings. |
How is the block shading technique applied to create contrast in drawings?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Drawing assessment
-Portfolio
|
|
4 | 2 |
CREATING AND EXECUTION
|
Volleyball - Player Illustration Completion
Volleyball - Artwork Display and Appraisal |
By the end of the
lesson, the learner
should be able to:
- Complete block-shaded drawings of volleyball players. - Create effective contrast in the artwork. - Show precision in artistic techniques. |
Learner is guided to:
- Complete block-shaded drawings of volleyball players. - Refine the shading to create clear distinction between light and dark areas. - Create effective contrast between the figures and background. - Add final details to enhance the quality of the drawings. |
How does block shading enhance the visual impact of sports illustrations?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Project assessment
-Self-assessment
|
|
4 | 3 |
CREATING AND EXECUTION
|
Volleyball - Skills Self-Assessment
|
By the end of the
lesson, the learner
should be able to:
- Assess own performance in volleyball skills. - Identify areas for improvement. - Show self-awareness in skill development. |
Learner is guided to:
- Complete a self-assessment checklist on volleyball skills (underarm service and single-hand dig pass). - Identify strengths and areas needing improvement. - Set personal goals for skill development. - Share reflections with peers for feedback. |
How does self-assessment contribute to skill development in volleyball?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Self-assessment
-Reflection assessment
-Goal setting assessment
|
|
4 | 4 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - French Rhythm Names
Rhythm and Pattern Making - Song Rhythm Analysis |
By the end of the
lesson, the learner
should be able to:
- Interpret rhythmic patterns using French rhythm names. - Recognize syllables in words as rhythms. - Show interest in rhythm interpretation. |
Learner is guided to:
- Clap rhythms represented by French rhythm names (taa-aa-aa-aa, taa-aa, taa, ta-te). - Identify the duration of different rhythms. - Discuss what rhythmic patterns are. - Recognize the relationship between word syllables and rhythm. |
How are French rhythm names used to create rhythmic patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 58-59
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 59-60 |
Observation
-Aural tests
-Self-assessment
|
|
4 | 5 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Dotted Minim Rhythm
|
By the end of the
lesson, the learner
should be able to:
- Identify the French rhythm name taa-aa-aa in a song. - Understand the relationship between dotted minim and taa-aa-aa. - Value precision in rhythm interpretation. |
Learner is guided to:
- Sing/listen to the song "Music Alone Shall Live". - Clap/tap the rhythm of the song while reciting French rhythm names. - Identify words with the rhythm taa-aa-aa (e.g., "sky"). - Understand that taa-aa-aa corresponds to a dotted minim (3 counts). |
How is the French rhythm taa-aa-aa used in music?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 60-61
|
Observation
-Aural tests
-Performance assessment
|
|
4 | 6 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Group Rhythm Practice
Rhythm and Pattern Making - Contrasting Rhythms |
By the end of the
lesson, the learner
should be able to:
- Clap the rhythm taa-aa-aa in groups. - Count beats while clapping rhythm patterns. - Show cooperation in group rhythm activities. |
Learner is guided to:
- In two groups, practice clapping taa-aa-aa while the other group counts "123". - Take turns with different rhythms (taa, taa-aa, ta-te, taa-aa-aa-aa, taa-aa-aa). - Practice clapping, tapping, or stamping various rhythmic patterns. |
How can rhythms be practiced effectively in groups?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 61-62
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 62 |
Observation
-Group performance assessment
-Coordination assessment
|
|
5 | 1 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Music Notes and Rests
|
By the end of the
lesson, the learner
should be able to:
- Understand the relationship between music notes and French rhythm names. - Identify music notes and their corresponding rests. - Value the precision in musical notation. |
Learner is guided to:
- Sing a familiar song and identify words with specific rhythm names. - Learn about music notes and their corresponding rests. - Understand that each note has a corresponding rest with the same number of counts. - Match French rhythm names with their musical notation. |
What is the relationship between music notes and French rhythm names?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 62-63
|
Observation
-Written tests
-Self-assessment
|
|
5 | 2 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Rhythm Games
Rhythm and Pattern Making - Repetition Technique |
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns using French rhythm names. - Play the "I Pick You Clap" game. - Show creativity in rhythm creation. |
Learner is guided to:
- Play the "I Pick You Clap" game in groups. - One learner randomly picks and displays a flash card with a rhythm pattern. - Another learner steps forward, claps the rhythm, and explains the French rhythm names used. - The one who claps correctly picks the next card. |
How can games enhance learning of rhythmic patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 63
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 64-65 |
Observation
-Performance assessment
-Game participation assessment
|
|
5 | 3 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Variation Technique
|
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns using variation technique. - Apply contrast in rhythm creation. - Show originality in rhythm composition. |
Learner is guided to:
- Learn about creating rhythmic patterns through variation of note values. - Create and perform rhythmic patterns with varied note values (e.g., taa taa taa ta-te). - Observe how variation creates interest in rhythmic patterns. - Practice creating original rhythms using variation. |
How does variation of note values enhance rhythmic patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 65-66
|
Observation
-Composition assessment
-Creativity assessment
|
|
5 | 4 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Effective Endings
Rhythm and Pattern Making - Combined Techniques |
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns with effective endings. - Apply the principle of closure in rhythm. - Value completeness in musical compositions. |
Learner is guided to:
- Learn about the importance of effective endings in rhythmic patterns. - Understand that longer notes at the end create a sense of closure. - Analyze rhythmic patterns and identify their endings. - Create rhythmic patterns with satisfying endings (e.g., ending with taa-aa or taa-aa-aa-aa). |
Why is the ending important in a rhythmic pattern?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 66-67
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 67-68 |
Observation
-Composition assessment
-Aural assessment
|
|
5 | 5 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Collaborative Rhythm
|
By the end of the
lesson, the learner
should be able to:
- Play the "Create I Complete" game. - Collaborate in rhythm creation. - Value teamwork in musical activities. |
Learner is guided to:
- In pairs, play the "Create I Complete" game. - One learner creates and recites the first part of a rhythm. - The partner completes by reciting the French rhythm names of the second part. - Write down the complete rhythmic pattern and exchange roles. |
How can collaboration enhance rhythm creation?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 68
|
Observation
-Collaboration assessment
-Peer assessment
|
|
5 | 6 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Digital Rhythm Creation
Rhythm and Pattern Making - Three-Beat Patterns |
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns using digital resources. - Apply technology in musical learning. - Demonstrate digital literacy. |
Learner is guided to:
- Search and use digital resources to create rhythmic patterns. - Explore digital applications that allow rhythm creation. - Create a rhythmic pattern using digital tools. - Clap, tap, or stamp the created rhythm. - Use French rhythm names to recite the pattern. |
How can digital resources enhance rhythm creation?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 68
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 68-69 |
Digital literacy assessment
-Creativity assessment
-Performance assessment
|
|
6 | 1 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Conducting Technique
|
By the end of the
lesson, the learner
should be able to:
- Identify songs in three-beat patterns. - Conduct a three-beat pattern. - Show coordination in conducting. |
Learner is guided to:
- Listen to songs like "Happy Birthday" and identify their beat patterns. - Clap the steady beat while counting "123". - Learn conducting techniques for three-beat patterns. - Practice conducting a three-beat pattern with proper hand movements. |
How is a three-beat pattern conducted?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 69-70
|
Observation
-Conducting assessment
-Rhythm identification assessment
|
|
6 | 2 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Song Conducting
Rhythm and Pattern Making - Percussion Patterns |
By the end of the
lesson, the learner
should be able to:
- Conduct songs in three-beat patterns. - Apply conducting techniques to familiar songs. - Demonstrate leadership in musical activities. |
Learner is guided to:
- Practice conducting while singing songs like "Kumbaya". - Take turns conducting as the group sings "Happy Birthday". - Conduct the performance of "Music Alone Shall Live". - Focus on maintaining steady tempo while conducting. |
How does conducting help maintain rhythm in a musical performance?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 70
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 70-71 |
Observation
-Conducting assessment
-Leadership assessment
|
|
6 | 3 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Block Printing
|
By the end of the
lesson, the learner
should be able to:
- Understand block printing technique. - Identify materials for block printing. - Value traditional printing methods. |
Learner is guided to:
- Learn about block printing as a method for creating repeat patterns. - Understand how a design is carved onto a block, inked, and then pressed onto a surface. - Identify suitable materials for making printing blocks (wood, rubber, linoleum). - Discuss the qualities needed in block printing materials. |
Why is block printing effective for creating repeat patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 71-73
|
Observation
-Written assessment
-Self-assessment
|
|
6 | 4 |
CREATING AND EXECUTION
|
Gymnastics - Cartwheel Skill
Gymnastics - Digital Cartwheel Analysis |
By the end of the
lesson, the learner
should be able to:
- Identify the cartwheel skill in gymnastics. - Describe hand and leg movements in cartwheel. - Show interest in gymnastic skills. |
Learner is guided to:
- Look at a picture showing the cartwheel skill. - Describe the hand and leg movements during the skill performance. - Discuss why the skill is known as a cartwheel. - Understand that a cartwheel is a basic gymnastic skill that can be developed into other advanced skills. |
How does sequencing in gymnastics foster creativity?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 100-101
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 101 |
Observation
-Oral questions
-Self-assessment
|
|
6 | 5 |
CREATING AND EXECUTION
|
Gymnastics - Cartwheel Step Sequence
|
By the end of the
lesson, the learner
should be able to:
- Understand the steps in performing a cartwheel. - Recognize the progression of movements. - Show attention to detail in skill analysis. |
Learner is guided to:
- Learn the step-by-step procedure for performing a cartwheel. - Understand the starting position, leg placement, hand placement, and rotation sequence. - Recognize that weight transfers from foot to hand to hand to foot. - Learn the rhythm of movement: hand, hand, foot, foot. - Study the cartwheel progression sequence in pictures. |
What are the steps involved in performing a cartwheel?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 101-102
|
Observation
-Sequence recall assessment
-Self-assessment
|
|
6 | 6 |
CREATING AND EXECUTION
|
Gymnastics - Cartwheel Practice
Gymnastics - Curved Line Cartwheel |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the cartwheel skill. - Apply proper technique in execution. - Show confidence in physical performance. |
Learner is guided to:
- Practice the cartwheel skill in pairs. - Start with the basic stance and placement. - Perform the skill with guidance and support if needed. - Observe safety during practice. - Give feedback to each other on technique. - Appreciate feedback for improvement. |
How can the cartwheel skill be practiced safely?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 102
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 102-103 |
Observation
-Skill assessment
-Peer feedback
|
|
7 | 1 |
CREATING AND EXECUTION
|
Gymnastics - Straight Line Cartwheel
|
By the end of the
lesson, the learner
should be able to:
- Practice cartwheel on a straight line. - Maintain directional control. - Show precision in movement. |
Learner is guided to:
- Take turns to practice the cartwheel on a straight line. - Focus on maintaining a straight path during execution. - Compare the experience with curved line practice. - Observe safety during practice. - Give feedback to each other. - Appreciate own effort and others' efforts. |
How does line practice improve precision in cartwheel execution?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 103
|
Observation
-Skill assessment
-Direction control assessment
|
|
7 | 2 |
CREATING AND EXECUTION
|
Gymnastics - Sequence Introduction
Gymnastics - Sequence Planning |
By the end of the
lesson, the learner
should be able to:
- Understand gymnastic sequences. - Identify skills used in sequences. - Show interest in combined movements. |
Learner is guided to:
- Look at pictures showing a gymnastics sequence. - Identify the gymnastics skills used in the sequence. - Count how many gymnastics actions are performed in the picture. - Understand that a sequence refers to a series of connected movements. - Learn that a 3-action sequence combines three skills flowing from one to another. |
What is a 3-action gymnastics sequence?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 103-104
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 104 |
Observation
-Skill identification assessment
-Self-assessment
|
|
7 | 3 |
CREATING AND EXECUTION
|
Gymnastics - Specific Sequence Learning
|
By the end of the
lesson, the learner
should be able to:
- Understand the cartwheel-forward roll-swan balance sequence. - Recognize the flow between movements. - Value smooth transitions in sequences. |
Learner is guided to:
- Learn the specific sequence of cartwheel-forward roll-swan balance. - Understand how to begin with arms extended, perform the cartwheel, then quarter-turn jump. - Learn the transition to forward roll and then to swan balance. - Recognize the importance of smooth flow between movements. - Visualize the complete sequence before attempting it. |
How do transitions between elements create a fluid gymnastics sequence?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 104-105
|
Observation
-Sequence understanding assessment
-Self-assessment
|
|
7 | 4 |
CREATING AND EXECUTION
|
Gymnastics - Sequence Demonstration
Gymnastics - Sequence Variation |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the cartwheel-forward roll-swan balance sequence. - Execute smooth transitions between elements. - Show confidence in performance. |
Learner is guided to:
- Take turns demonstrating a 3-action gymnastics sequence. - Observe safety during performance. - Demonstrate the cartwheel, forward roll, and swan balance sequence. - Focus on smooth transitions between elements. - Give each other feedback. - Use feedback to improve the sequence. |
How can feedback improve the execution of gymnastics sequences?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 105
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 105-106 |
Observation
-Performance assessment
-Peer feedback
|
|
7 | 5 |
CREATING AND EXECUTION
|
Gymnastics - Sequence Repetition
|
By the end of the
lesson, the learner
should be able to:
- Repeat sequences for skill reinforcement. - Apply feedback for improvement. - Show perseverance in skill development. |
Learner is guided to:
- Repeat the 3-action sequences several times for reinforcement. - Apply feedback received from previous sessions. - Focus on improving weak areas in the sequence. - Maintain safety awareness during practice. - Give constructive feedback to peers. - Appreciate the importance of repetition in skill mastery. |
How does repetition contribute to mastery of gymnastics sequences?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 106
|
Observation
-Skill improvement assessment
-Perseverance assessment
|
|
7 | 6 |
CREATING AND EXECUTION
|
Gymnastics - Floor Mat Design
Gymnastics - Mat Material Selection |
By the end of the
lesson, the learner
should be able to:
- Design a floor mat for gymnastics performance. - Apply artistic skills to sports equipment. - Show creativity in functional design. |
Learner is guided to:
- Discuss the importance of proper floor mats for gymnastics. - Design a simple floor mat with appropriate dimensions for gymnastics practice. - Consider safety, cushioning, and aesthetics in the design. - Create sketches or digital designs of their floor mat ideas. - Present their designs to the class for feedback. |
How does proper equipment design enhance safety in gymnastics?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 106
|
Observation
-Design assessment
-Presentation assessment
|
|
8-9 |
MID TERM ASSESSMENT AND HALF TERM BREAK |
||||||||
10 | 1 |
CREATING AND EXECUTION
|
Gymnastics - Music for Sequences
|
By the end of the
lesson, the learner
should be able to:
- Select appropriate music for gymnastics sequences. - Understand the relationship between movement and rhythm. - Show appreciation for the artistic aspects of gymnastics. |
Learner is guided to:
- Discuss how music enhances gymnastics performances. - Identify characteristics of music suitable for gymnastics (tempo, rhythm, mood). - Listen to various music selections and evaluate their suitability. - Select music that complements the 3-action sequence they have learned. - Practice performing their sequence to the selected music. |
How does music enhance the performance of gymnastics sequences?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 106-107
|
Observation
-Music selection assessment
-Performance with music assessment
|
|
10 | 2 |
CREATING AND EXECUTION
|
Gymnastics - Ensemble Accompaniment
Gymnastics - Combined Performance |
By the end of the
lesson, the learner
should be able to:
- Create a simple instrumental accompaniment for gymnastics. - Apply rhythmic skills to movement accompaniment. - Show creativity in musical support for physical activities. |
Learner is guided to:
- Explore how percussion instruments can accompany gymnastics sequences. - Create simple rhythmic patterns that match the movements in the 3-action sequence. - Select appropriate percussion instruments for different movements. - Practice playing the accompaniment while others perform the sequence. - Coordinate music with movement for enhanced performance. |
How can percussion instruments effectively accompany gymnastics sequences?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 107
|
Observation
-Rhythm creation assessment
-Coordination assessment
|
|
10 | 3 |
CREATING AND EXECUTION
CREATING AND EXECUTING |
Gymnastics - Performance Feedback
Composing melody - Singing sol-fa syllables d-d' ascending and descending (5 lessons) |
By the end of the
lesson, the learner
should be able to:
- Record and review gymnastics performances. - Provide constructive feedback on integrated performances. - Value self-assessment in skill development. |
Learner is guided to:
- Record videos of the integrated gymnastics and music performances. - Review the recordings to identify strengths and areas for improvement. - Discuss aspects of both movement technique and musical accompaniment. - Provide constructive feedback to peers. - Reflect on own performance and set goals for improvement. - Appreciate the value of recording for self-assessment. |
How does video analysis contribute to improvement in performance skills?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 107
- KLB VISIONARY Creative Arts Grade 6 pg. 108 -Charts with sol-fa ladder -Digital devices -Audio recordings |
Observation
-Video analysis assessment
-Feedback quality assessment
|
|
10 | 4 |
CREATING AND EXECUTING
|
Composing melody - Singing sol-fa syllables d-d' ascending and descending
|
By the end of the
lesson, the learner
should be able to:
-Sing sol-fa syllables with vowel sounds -Differentiate between different pitches in the sol-fa ladder -Show interest in singing sol-fa with variations |
- Sing sol-fa ladder ascending and descending using vowel sounds like oh, ah, moo, noo
-Practice singing with varied vowel sounds -Identify the pitch differences in sol-fa syllables |
How can vowel sounds enhance sol-fa singing?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 109
-Charts with sol-fa ladder -Audio equipment -Digital devices |
- Observation
-Performance
-Peer assessment
-Self-assessment
|
|
10 | 5 |
CREATING AND EXECUTING
|
Composing melody - Singing sol-fa syllables d-d' ascending and descending
|
By the end of the
lesson, the learner
should be able to:
-Sing familiar songs using sol-fa syllables -Translate lyrics to corresponding sol-fa notations -Demonstrate accuracy in sol-fa singing |
- Sing familiar songs like "Twinkle Twinkle Little Star" using sol-fa notations
-Match lyrics to their corresponding sol-fa syllables -Practice singing songs in sol-fa |
How can songs be represented in sol-fa syllables?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 110
-Charts with songs in sol-fa -Audio equipment -Digital devices -Charts with sol-fa patterns -Audio recordings |
- Observation
-Performance
-Written exercises
-Peer assessment
|
|
10 | 6 |
CREATING AND EXECUTING
|
Composing melody - Singing sol-fa syllables d-d' ascending and descending
|
By the end of the
lesson, the learner
should be able to:
-Play notes C-D' on instruments -Coordinate singing with instrumental playing -Value teamwork in musical performance |
- In groups, some play recorders while others sing sounds
-Practice coordinating instrumental playing with singing -Exchange roles and practice different note patterns -Perform together as a group |
How can instruments enhance sol-fa learning?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 111
-Recorders or other melodic instruments -Charts with sol-fa notes -Digital devices |
- Observation
-Performance
-Peer assessment
-Group coordination
|
|
11 | 1 |
CREATING AND EXECUTING
|
Composing melody - Performing the major scale using Kodaly hand signs (5 lessons)
Composing melody - Performing the major scale using Kodaly hand signs |
By the end of the
lesson, the learner
should be able to:
-Understand the concept of Kodaly hand signs -Identify hand signs for sol-fa syllables -Appreciate the visual representation of pitch |
- Learn about Kodaly hand signs as visual representations of pitch
-Study the hand signs for sol-fa syllables l, t, d' -Relate hand positions to pitch levels -Practice regular use of hand signs with actual pitch |
What are Kodaly hand signs and how do they relate to sol-fa syllables?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 111
-Charts showing Kodaly hand signs -Digital devices -Pictures of hand signs - KLB VISIONARY Creative Arts Grade 6 pg. 112 -Charts with Kodaly hand signs -Audio equipment |
- Observation
-Demonstration
-Oral questions
-Self-assessment
|
|
11 | 2 |
CREATING AND EXECUTING
|
Composing melody - Performing the major scale using Kodaly hand signs
|
By the end of the
lesson, the learner
should be able to:
-Practice all hand signs for the sol-fa ladder d r m f s l t d' -Sing while showing correct hand signs -Demonstrate creativity in hand sign practice |
- Practice hand signs for the complete sol-fa ladder
-Sing the sol-fa syllables while showing the hand signs -Copy and draw Kodaly hand signs -Color the hand signs using crayons |
How does practicing hand signs improve pitch recognition?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 112
-Charts with complete Kodaly hand signs -Drawing materials -Crayons -Digital devices |
- Observation
-Performance
-Creative work
-Skill demonstration
|
|
11 | 3 |
CREATING AND EXECUTING
|
Composing melody - Performing the major scale using Kodaly hand signs
|
By the end of the
lesson, the learner
should be able to:
-Draw hand signs in calligraphy style -Match hand signs with corresponding sol-fa syllables -Show artistic creativity in hand sign representation |
- Draw hand signs and their corresponding sol-fa syllables
-Use calligraphy style to create artistic representations -Label each hand sign with the correct sol-fa syllable -Display completed work |
How can we artistically represent Kodaly hand signs?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 113
-Drawing materials -Calligraphy materials -Examples of calligraphy -Digital devices -Charts with Kodaly hand signs -Audio equipment |
- Observation
-Creative product
-Peer assessment
-Exhibition
|
|
11 | 4 |
CREATING AND EXECUTING
|
Composing melody - Aurally recognising sol-fa sounds in familiar melodies (4 lessons)
|
By the end of the
lesson, the learner
should be able to:
-Recognize sol-fa melodies in familiar songs -Identify sol-fa patterns aurally -Appreciate the structure of melodies |
- Sing or play several familiar melodies
-Identify songs for singing in sol-fa -Practice recognizing sol-fa patterns in songs -Discuss how melodies are structured using sol-fa |
How do you recognize sol-fa patterns in familiar melodies?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 114
-Audio of familiar songs -Charts with sol-fa patterns -Digital devices |
- Observation
-Oral questions
-Performance
-Aural recognition tests
|
|
11 | 5 |
CREATING AND EXECUTING
|
Composing melody - Aurally recognising sol-fa sounds in familiar melodies
|
By the end of the
lesson, the learner
should be able to:
-Sing familiar songs with solfege syllables -Identify sol-fa patterns in melodies -Demonstrate good listening skills |
- Sing songs from Activity 1 using sol-fa syllables
-Practice singing with hand signs -Listen carefully to identify sol-fa patterns -Write down sol-fa patterns from familiar songs |
How do you identify sol-fa sounds in melodies?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 114
-Audio recordings -Charts with sol-fa patterns -Digital devices - KLB VISIONARY Creative Arts Grade 6 pg. 115 |
- Observation
-Performance
-Written exercises
-Peer assessment
|
|
11 | 6 |
CREATING AND EXECUTING
|
Composing melody - Aurally recognising sol-fa sounds in familiar melodies
|
By the end of the
lesson, the learner
should be able to:
-Recognize sol-fa syllables in performed melodies -Write melodies in sol-fa notation -Value accuracy in aural recognition |
- One learner sings or plays a short familiar song
-Other learners write down the melody in sol-fa syllables -Compare notations and discuss accuracy -Practice with various familiar melodies |
How accurately can you notate a melody using sol-fa syllables?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 115
-Descant recorders -Writing materials -Charts with sol-fa examples -Digital devices |
- Observation
-Written exercises
-Peer assessment
-Performance
|
|
12 | 1 |
CREATING AND EXECUTING
|
Composing melody - Composing short melodies within the range of d-d' (4 lessons)
Composing melody - Composing short melodies within the range of d-d' |
By the end of the
lesson, the learner
should be able to:
-Compose simple melodies using sol-fa -Complete familiar tunes with original sections -Demonstrate creativity in melody composition |
- Sing familiar songs based on syllables d r m f s l t d'
-Practice completing familiar tunes with new melodies -Sing first sections of songs and complete with original tunes -Discuss how created tunes sound |
How do you create your own melodies?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 115
-Charts with familiar songs -Audio equipment -Digital devices - KLB VISIONARY Creative Arts Grade 6 pg. 116 -Charts with composition techniques |
- Observation
-Creative composition
-Peer feedback
-Performance
|
|
12 | 2 |
CREATING AND EXECUTING
|
Composing melody - Composing short melodies within the range of d-d'
|
By the end of the
lesson, the learner
should be able to:
-Create original melodies within d-d' range -Apply composition techniques learned -Appreciate the creative process of composition |
- Compose original melodies within the d-d' range
-Apply tips for creating melodies -Ensure melodies sound pleasant and complete -End melodies appropriately (on d, using t-d', m-d, or s-d') |
How do you ensure a melody sounds complete?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 117
-Writing materials -Audio equipment -Digital devices |
- Observation
-Creative composition
-Performance
-Peer feedback
|
|
12 | 3 |
CREATING AND EXECUTING
|
Composing melody - Composing short melodies within the range of d-d'
|
By the end of the
lesson, the learner
should be able to:
-Present composed melodies to the class -Provide constructive feedback on others' compositions -Value originality in musical creation |
- Present composed melodies to the class
-Perform individual compositions -Listen to others' compositions -Provide constructive feedback -Refine compositions based on feedback |
How can feedback improve your melodic compositions?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 117
-Composed melodies -Audio equipment -Digital devices -Performance space |
- Observation
-Performance
-Peer assessment
-Self-assessment
|
|
12 | 4 |
CREATING AND EXECUTING
|
Composing melody - Sol-fa syllables using calligraphy lettering (2 lessons)
|
By the end of the
lesson, the learner
should be able to:
-Understand the concept of calligraphy -Identify tools and materials for calligraphy -Appreciate calligraphy as an art form |
- Learn about calligraphy as the art of beautiful writing
-Study examples of sol-fa notations in calligraphic letters -Identify tools and materials needed for calligraphy -Discuss the aesthetic value of calligraphic writing |
What is calligraphy and how can it enhance sol-fa writing?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 117
-Examples of calligraphic writing -Pictures of calligraphy tools -Digital devices |
- Observation
-Oral questions
-Group discussions
-Interest level
|
|
12 | 5 |
CREATING AND EXECUTING
|
Composing melody - Sol-fa syllables using calligraphy lettering
Composing melody - Appreciating melodies created by self and others (1 lesson) |
By the end of the
lesson, the learner
should be able to:
-Write sol-fa notations using calligraphy style -Follow proper steps for calligraphic writing -Show patience and precision in artistic writing |
- Practice writing sol-fa notations using calligraphy style
-Draw guidelines for lettering -Dip pen in ink and write sol-fa syllables -Wait for ink to dry and erase pencil marks -Create artistic sol-fa representations |
How do you create calligraphic sol-fa notations?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 118
-Calligraphy pens (or improvised bamboo pens) -Ink -Paper -Pencil and eraser -Ruler - KLB VISIONARY Creative Arts Grade 6 pg. 119 -Audio recordings -Internet access -Radio -Digital devices |
- Observation
-Creative product
-Skill demonstration
-Peer assessment
|
|
12 | 6 |
CREATING AND EXECUTING
|
Composing melody - Self-assessment and reflection (1 lesson)
|
By the end of the
lesson, the learner
should be able to:
-Assess personal performance in melody learning -Identify areas of strength and improvement -Demonstrate reflective thinking about musical learning |
- Complete self-assessment checklist
-Reflect on performance in melody-related tasks -Identify areas of strength and areas needing more practice -Set goals for further improvement -Share reflections with peers |
How well have you mastered the skills related to melody?
|
- KLB VISIONARY Creative Arts Grade 6 pg. 119
-Self-assessment checklist -Writing materials -Digital devices |
- Self-assessment
-Peer feedback
-Teacher observation
-Reflective writing
|
|
13-14 |
END TERM ASSESSMENT AND CLOSING |
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