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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics
|
By the end of the
lesson, the learner
should be able to:
-Identify the cartwheel skill in gymnastics. -Discuss the body position during cartwheel. -Value the importance of safety in gymnastics. |
-Observe pictures of cartwheel performance. -Discuss the position of the body when performing a cartwheel. -Identify safety precautions when performing the cartwheel. -Discuss the importance of performing a cartwheel. |
How does sequencing in gymnastics foster creativity?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 97 -Pictures of cartwheel performance -Demonstration area -Safety guidelines charts -First aid kit |
-Observation
-Oral questioning
-Discussion participation
|
|
| 1 | 2 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Digital Research
1.4 Gymnastics - Cartwheel Practice |
By the end of the
lesson, the learner
should be able to:
-Watch a video of cartwheel performance. -Describe the cartwheel technique based on video. -Practice the cartwheel technique safely. |
-Use a digital device to watch a video clip showing how to perform cartwheel. -Describe how cartwheel is performed as shown in the video clip. -Take turns to practice performing cartwheel on a mat as shown in the video clip. |
What are the key techniques for a successful cartwheel?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 97-98
-Digital devices -Video clips of cartwheel -Gymnastics mats -Internet connection -MENTOR Creative Arts Grade 6 Learner's Book Page 98 -Safe practice area -Spotting equipment -Skill progression charts |
-Video comprehension
-Technique description
-Practical demonstration
-Peer feedback
|
|
| 1 | 3 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Forward Roll
|
By the end of the
lesson, the learner
should be able to:
-Identify the forward roll technique. -Describe body, hands, and leg positions. -Recognize safety precautions for forward roll. |
-Study a picture of forward roll. -Describe the position of the body, hands, and legs in the picture. -Discuss safety precautions to observe when performing the forward roll. |
What safety precautions should be observed when performing a forward roll?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 98 -Pictures of forward roll positions -Safety guidelines poster -Gymnastics mats -Demonstration aids |
-Position identification
-Safety knowledge assessment
-Oral questioning
-Discussion participation
|
|
| 1 | 4 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Forward Roll Video Study
|
By the end of the
lesson, the learner
should be able to:
-Watch and analyze forward roll performance. -Discuss the technique of forward roll. -Demonstrate interest in learning the skill. |
-Use a digital device to watch a video clip showing how forward roll is performed. -Discuss how the forward roll is performed based on the video. -Take turns to practice performing a forward roll on a large mat or ground. |
How does video analysis help in learning gymnastics skills?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 98-99 -Digital devices -Video clips of forward roll -Gymnastics mats -Safe practice area |
-Video analysis participation
-Discussion contribution
-Technique understanding
-Practice engagement
|
|
| 2 | 1 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Forward Roll Technique
1.4 Gymnastics - Forward Roll Practice |
By the end of the
lesson, the learner
should be able to:
-Describe the steps of a forward roll. -Explain safety measures for forward roll. -Show appreciation for proper technique. |
-Learn the steps for forward roll: starting position, tucking chin, placing hands, rolling forward, extending legs to stand. -Understand safety measures: warm-up, suitable surface, support, cool down, following instructions. |
How do the different positions connect in a forward roll?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 99
-Step-by-step forward roll charts -Safety measure posters -Gymnastics mats -Demonstration models -Spotting aids -Skill progression charts -Safe practice area |
-Step sequence recollection
-Safety measure explanation
-Written assessment
-Oral questioning
|
|
| 2 | 2 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Swan Balance
|
By the end of the
lesson, the learner
should be able to:
-Identify the swan balance position. -Explain the importance of balance in gymnastics. -Show interest in mastering balance skills. |
-Study pictures of swan balance. -Discuss the position of the body, arms, and legs in the pictures. -Explain the importance of body balance in gymnastics. -Identify safety precautions for balance positions. |
Why is balance important in gymnastics?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 99-100 -Pictures of swan balance -Balance demonstration charts -Gymnastics mats -Safety guidelines |
-Balance position identification
-Explanation quality
-Discussion participation
-Safety awareness
|
|
| 2 | 3 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Swan Balance Practice
|
By the end of the
lesson, the learner
should be able to:
-Perform the swan balance with proper technique. -Maintain stability in the balance position. -Show patience and perseverance in practice. |
-Demonstrate the swan balance by lying on stomach. -Lift chest off the ground, arms extended forward. -Lift legs off the ground, creating a rocking position. -Hold the position and rock gently. -Practice in pairs, giving feedback to each other. |
How can body control be maintained during balance positions?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 100 -Gymnastics mats -Balance practice area -Stopwatch for timing holds -Peer feedback forms |
-Balance execution quality
-Position stability
-Hold duration
-Peer feedback
|
|
| 2 | 4 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Swan Balance Peer Practice
1.4 Gymnastics - Three-Action Sequence Introduction |
By the end of the
lesson, the learner
should be able to:
-Practice the swan balance with a partner. -Give and receive constructive feedback. -Demonstrate increased control in balance. |
-In pairs, take turns performing the swan balance. -One learner performs while the other observes and provides feedback. -Focus on body position, stability, and control. -Change roles until both have performed. -Correct each other using constructive feedback. |
How can peer feedback improve gymnastics skills?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 100-101
-Gymnastics mats -Feedback guidelines -Observation checklists -Balance reference pictures -MENTOR Creative Arts Grade 6 Learner's Book Page 101 -Sequence explanation charts -Video examples of sequences -Sequence planning sheets -Digital devices |
-Partner work assessment
-Feedback quality
-Skill improvement
-Peer teaching ability
|
|
| 3 | 1 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Three-Action Sequence Study
|
By the end of the
lesson, the learner
should be able to:
-Analyze pictures of gymnastics sequences. -Describe body and leg positions in sequence elements. -Demonstrate sequence elements safely. |
-Study pictures showing a three-action sequence in gymnastics. -Describe the activity being performed in each picture. -Discuss the body and leg position in each picture. -Demonstrate the 3-action gymnastics sequence shown in the pictures. |
What makes a gymnastics sequence effective?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 101 -Sequence picture series -Body position analysis charts -Gymnastics mats -Safe demonstration area |
-Picture analysis accuracy
-Position description
-Demonstration attempt
-Safety awareness
|
|
| 3 | 2 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Three-Action Sequence Practice
|
By the end of the
lesson, the learner
should be able to:
-Practice the three-action sequence safely. -Perform the sequence with increasing fluidity. -Record performances for feedback. |
-In groups, practice the three-action gymnastics sequence on a mat or safe ground. -Practice multiple times until mastery is achieved. -Record performances on video. -Share recordings with classmates. -Give feedback on each other's performance. |
How can practice improve the fluidity of a sequence?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 101-102 -Gymnastics mats -Video recording devices -Playback equipment -Safe practice area |
-Sequence fluidity
-Skill connection
-Recording quality
-Peer feedback
|
|
| 3 | 3 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Family Demonstration
1.4 Gymnastics - Weaving Materials Collection |
By the end of the
lesson, the learner
should be able to:
-Demonstrate the three-action sequence to family. -Explain the sequence to others. -Share experiences with classmates. |
-Show family members and peers how to perform the three-action sequence. -Explain the technique and safety considerations. -Get feedback from family. -Share experiences with classmates. |
How can gymnastics skills be shared with the community?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 102
-Home practice guidelines -Safety instructions -Experience sharing template -Feedback forms -Material collection bags -Sorting containers -Material preparation tools -Environmental impact charts |
-Demonstration ability
-Explanation clarity
-Experience sharing
-Family feedback
|
|
| 3 | 4 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Frame Loom Construction
|
By the end of the
lesson, the learner
should be able to:
-Construct a frame loom using mitre joints. -Apply safety measures when using tools. -Demonstrate precision in construction. |
-Collect materials for making a frame loom. -Measure and cut wooden pieces for the frame. -Construct the frame using mitre joints. -Apply safety measures when using tools. -Ensure the frame is sturdy and properly joined. |
How does a well-constructed loom affect the weaving process?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 102-103 -Wood for frame -Cutting and measuring tools -Safety equipment -Joining materials -Construction guides |
-Frame construction quality
-Joint precision
-Safety observation
-Tool handling
|
|
| 4 | 1 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Mat Weaving
|
By the end of the
lesson, the learner
should be able to:
-Weave a small floor mat using 2/2 twill weave. -Apply color variation in the weaving. -Complete appropriate finishing techniques. |
-Weave a small floor mat (1x1ft) for gymnastics performance using twill weave 2/2. -Incorporate color variation in the weaving. -Apply appropriate finishing techniques. -Ensure the mat is sturdy enough for gymnastics use. |
How does the weaving technique affect the mat's functionality?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 103 -Prepared frame loom -Weaving materials -Color variation guide -Finishing tools -Weaving patterns |
-Weaving technique
-Color variation application
-Finishing quality
-Mat functionality
|
|
| 4 | 2 |
1.0 CREATING AND EXECUTION
|
1.4 Gymnastics - Collaborative Mat Assembly
1.4 Gymnastics - Sequence Performance on Woven Mat |
By the end of the
lesson, the learner
should be able to:
-Stitch individual mats together to create a larger mat. -Apply appropriate stitching techniques. -Work collaboratively in a group project. |
-In groups, stitch the small mat pieces together. -Create a large floor mat for gymnastics performance. -Focus on type of finishing stitch, color pattern, and texture. -Ensure the final mat is secure and safe for use. |
How does collaboration enhance project outcomes?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 103
-Individual mat pieces -Stitching materials -Pattern planning guides -Collaboration guidelines -Finishing tools -MENTOR Creative Arts Grade 6 Learner's Book Page 103-104 -Completed woven mats -Percussion instruments -Video recording devices -Performance space -Feedback forms |
-Stitching quality
-Collaboration effectiveness
-Final mat safety/quality
-Group work assessment
|
|
| 4 | 3 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody (15 lessons)
|
By the end of the
lesson, the learner
should be able to:
-Sing the sol-fa syllables doh to doh' ascending and descending. -Identify sol-fa syllables learned in Grade 5. -Show interest in sol-fa pitch learning. |
-In pairs, watch or listen to the song "Doh a Deer". -Identify the sol-fa syllables learned in Grade 5. -Sing the sol-fa syllables pitches learned in Grade 5 ascending and descending. -Identify new sol-fa syllables heard in the song. |
How can one create interesting melodies?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 106 -Audio/video of "Doh a Deer" -Digital playback device -Sol-fa chart -Keyboard/melodic instrument |
-Pitch accuracy assessment
-Identification of syllables
-Singing assessment
-Participation
|
|
| 4 | 4 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Sol-fa Ladder
|
By the end of the
lesson, the learner
should be able to:
-Identify all sol-fa syllables on the sol-fa ladder. -Sing the sol-fa ladder ascending. -Maintain accurate pitch when singing. |
-Study the sol-fa ladder chart as a class. -Count the number of sol-fa syllables shown. -Recite the sol-fa syllables ascending. -Sing the sol-fa ladder ascending. -Watch a video demonstrating sol-fa pitches. -Imitate the pitches while maintaining accuracy. |
What is the relationship between pitch and sol-fa syllables?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 106-107 -Sol-fa ladder chart -Video demonstrating pitches -Digital devices -Melodic instruments |
-Identification accuracy
-Pitch accuracy in singing
-Imitation ability
-Participation
|
|
| 5 | 1 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Descending Sol-fa
1.5 Composing Melody - Singing with La |
By the end of the
lesson, the learner
should be able to:
-Identify sol-fa syllables in descending order. -Sing the sol-fa syllables descending. -Appreciate both ascending and descending patterns. |
-Study the sol-fa chart in groups. -Discuss the order of sol-fa syllables descending. -Sing the sol-fa syllables descending. -Sing the sol-fa syllables both ascending and descending. -Use instruments to help with pitch accuracy. |
How does descending sol-fa differ from ascending?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 107
-Sol-fa chart -Descant recorder or melodic instrument -Demonstration recordings -Pitch reference tools -Sol-fa ladder chart -Recording of ladder with "la" -Playback equipment |
-Descending order identification
-Singing accuracy
-Ascending/descending comparison
-Group participation
|
|
| 5 | 2 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Kodaly Hand Signs
|
By the end of the
lesson, the learner
should be able to:
-Identify Kodaly hand signs for sol-fa syllables. -Demonstrate hand signs while singing. -Value the visual representation of pitch. |
-Watch a video on Kodaly hand signs. -Imitate the hand signs while watching. -Discuss the hand signs demonstrated. -Study pictures showing the hand signs. -Discuss the level indicated on different sol-fa syllables. |
How do hand signs help in learning sol-fa syllables?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 107-108 -Video of Kodaly hand signs -Hand sign charts -Digital devices -Sol-fa level diagrams |
-Hand sign identification
-Imitation accuracy
-Level understanding
-Discussion participation
|
|
| 5 | 3 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Hand Sign Practice
|
By the end of the
lesson, the learner
should be able to:
-Perform Kodaly hand signs correctly. -Associate each sol-fa syllable with its hand sign. -Show precision in hand movements. |
-In pairs, observe pictures of hand signs. -Take turns to perform the hand signs while partners watch. -Use the correct hand sign for each sol-fa syllable. -Perform hand signs at the correct level. -Give feedback to each other. |
How can the correct performance of hand signs be achieved?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 108 -Hand sign reference pictures -Practice space -Peer feedback forms -Sol-fa syllable cards |
-Hand sign accuracy
-Level appropriateness
-Syllable-sign connection
-Peer feedback quality
|
|
| 5 | 4 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Sol-fa Ladders with Hand Signs
1.5 Composing Melody - Hand Signs Practice |
By the end of the
lesson, the learner
should be able to:
-Identify the difference in hand sign direction for ascending and descending ladders. -Sing the sol-fa ladder while performing appropriate hand signs. -Coordinate singing and hand movements. |
-Study sol-fa ladders showing ascending and descending patterns. -Identify the difference in hand sign direction between the patterns. -Sing the ascending ladder while performing hand signs from down going up. -Sing the descending ladder while performing hand signs from up going down. -Practice coordination of voice and hands. |
How does hand sign direction help indicate ascending or descending patterns?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 108
-Ascending/descending sol-fa charts -Hand sign direction diagrams -Practice space -Coordination exercises -MENTOR Creative Arts Grade 6 Learner's Book Page 108-109 -Hand position reference charts -Performance space -Feedback forms -Pitch reference tools |
-Direction identification
-Singing-signing coordination
-Ascending/descending accuracy
-Performance fluidity
|
|
| 6 | 1 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Mary Had a Little Lamb Analysis
|
By the end of the
lesson, the learner
should be able to:
-Identify pitch patterns in familiar songs. -Recognize repeated musical phrases. -Demonstrate pitch changes through movement. |
-Watch or listen to "Mary Had a Little Lamb". -Sing along while clapping the rhythm. -Identify repetitions of phrases like "Little lamb". -Analyze pitch differences in repeated phrases. -Use hand motions to show changes in pitch. |
How can we identify pitch patterns in familiar songs?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 109-110 -Recording of "Mary Had a Little Lamb" -Digital playback device -Pitch movement charts -Sol-fa analysis worksheets |
-Pattern identification
-Repetition recognition
-Movement appropriateness
-Analytical ability
|
|
| 6 | 2 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Song Analysis with La
|
By the end of the
lesson, the learner
should be able to:
-Sing songs replacing lyrics with "La". -Follow sol-fa hand signs while singing. -Complete missing sol-fa in song charts. |
-Sing "Mary Had a Little Lamb" replacing words with "La". -Watch/listen to guided performances of the song. -Sing along while performing sol-fa hand signs. -Study the song with missing sol-fa syllables. -Complete the song by adding the missing sol-fa syllables. |
How does singing with "La" help identify pitch patterns?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 110 -Song charts with missing sol-fa -Recording of song with "La" -Digital playback device -Completion worksheets |
-"La" singing accuracy
-Hand sign coordination
-Completion accuracy
-Pitch recognition
|
|
| 6 | 3 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Twinkle Twinkle Analysis
1.5 Composing Melody - Sol-fa Identification Project |
By the end of the
lesson, the learner
should be able to:
-Identify sol-fa syllables in "Twinkle Twinkle Little Star". -Complete a sol-fa chart for the song. -Perform the song with correct sol-fa. |
-Listen to "Twinkle Twinkle Little Star" in groups. -Sing along with the song. -Study the song's sol-fa chart with missing syllables. -Complete the chart by adding missing sol-fa syllables. -Assign group members to sing words while others sing sol-fa syllables. |
How can we identify and notate sol-fa in familiar melodies?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 110-111
-"Twinkle Twinkle" recording -Sol-fa chart with blanks -Digital playback device -Group assignment cards -MENTOR Creative Arts Grade 6 Learner's Book Page 111-112 -Manila paper or poster boards -Marker pens -Hand sign printouts -Calligraphy materials -Display area |
-Identification accuracy
-Chart completion
-Group coordination
-Performance accuracy
|
|
| 6 | 4 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Home Project
|
By the end of the
lesson, the learner
should be able to:
-Analyze sol-fa in a song of choice. -Create a sol-fa chart with hand signs. -Document work in a structured format. |
-With guidance, watch/listen to songs in sol-fa. -Choose a song other than previously studied examples. -Write the words, sol-fa, and draw hand signs in a table. -Organize work neatly and systematically. -Prepare to share with classmates. |
How can sol-fa analysis skills be applied independently?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 112 -Home project guidelines -Sol-fa reference materials -Hand sign references -Documentation template -Digital resources |
-Song selection
-Analysis accuracy
-Table organization
-Hand sign drawing
-Project completion
|
|
| 7 | 1 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Introduction to Melody Composition
|
By the end of the
lesson, the learner
should be able to:
-Identify various approaches to melody composition. -Listen to sample melodies in sol-fa. -Show interest in melody creation. |
-Watch a video on melody composition. -Listen to melodies sung in sol-fa. -Identify the highest and lowest sol-fa in the melodies. -Discuss which melody was most interesting and why. -Begin to consider personal composition ideas. |
What makes a melody interesting?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 112 -Video on melody composition -Sample melodies recordings -Digital playback device -Discussion prompts -Melody analysis charts |
-Listening attention
-Range identification
-Analytical discussion
-Interest demonstration
-Concept understanding
|
|
| 7 | 2 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Exact Repetition
1.5 Composing Melody - Stepwise Motion |
By the end of the
lesson, the learner
should be able to:
-Create melodies using exact repetition technique. -Identify repeated sections in melodies. -Apply rhythmic patterns to repeated melodies. |
-Study a melody with exact repetition. -Recite sol-fa syllables while clapping the rhythm. -Sight sing the melody making Kodaly hand signs. -Identify and underline repeated sections. -Create new melodies using repetition technique. |
How can repetition be used effectively in melody creation?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 112-113
-Melody examples with repetition -Rhythm pattern cards -Sol-fa display charts -Composition worksheets -Performance space -MENTOR Creative Arts Grade 6 Learner's Book Page 113-114 -Stepwise melody examples -Descant recorders -Sol-fa ladder charts -Rhythm creation materials -Digital resources |
-Repetition identification
-Melody creation
-Rhythm application
-Singing accuracy
-Hand sign coordination
|
|
| 7 | 3 |
1.0 CREATING AND EXECUTION
|
1.5 Composing Melody - Narrow Leaps
|
By the end of the
lesson, the learner
should be able to:
-Identify leaps in a familiar melody. -Create melodies with narrow leaps. -Appreciate the effect of leaps in melody. |
-Listen to "Mary Had a Little Lamb" and identify sol-fa syllables. -Underline sol-fa that are more than a step apart (leaps). -Study a stepwise melody and remove alternating notes to create leaps. -Create a rhythm for the new melody with leaps. -Sing the original and modified melodies for comparison. |
How do leaps differ from stepwise motion in melodies?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 114-115 -"Mary Had a Little Lamb" recording -Stepwise melody examples -Melody modification worksheets -Rhythm creation materials -Digital playback device |
-Leap identification
-Melody modification skill
-Rhythm creation
-Comparison analysis
-Performance accuracy
|
|
| 7 | 4 |
2.0 PERFORMING AND DISPLAYING
|
2.1 Athletics - Long Jump (12 lessons)
|
By the end of the
lesson, the learner
should be able to:
-Identify the long jump field. -Explain the parts of the long jump facility. -Show interest in long jump as a field event. |
-Look at a picture of long jump facility. -Identify the field event played in the facility. -Discuss what happens in the runway, take-off board, and landing pit. -Identify materials used in the landing pit. |
How are long jump and high jump field events performed?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 125 -Pictures of long jump field -Video clips of long jump -Digital devices -Charts showing parts of long jump field |
-Observation
-Oral questions
-Discussion participation
|
|
| 8 |
Mid term holiday |
||||||||
| 9 | 1 |
2.0 PERFORMING AND DISPLAYING
|
2.1 Athletics - Sail Technique in Long Jump
2.1 Athletics - Sail Technique Approach |
By the end of the
lesson, the learner
should be able to:
-Describe the stages of long jump using the sail technique. -Identify possible injuries in long jump. -Value safety in long jump practice. |
-Study pictures showing long jump technique. -Describe the stages of long jump shown in the picture. -Discuss possible injuries that can happen if the sand pit is poorly maintained. -Watch a video clip showing the sail technique in Long jump. |
Why is it important to maintain a tempo in athletics?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 126
-Pictures of sail technique -Video clips -Digital devices -Safety guidelines charts -MENTOR Creative Arts Grade 6 Learner's Book Page 126-127 -Long jump runway -Markers for strides -Demonstration area -Safety equipment |
-Picture analysis
-Oral questioning
-Discussion participation
-Video comprehension
|
|
| 9 | 2 |
2.0 PERFORMING AND DISPLAYING
|
2.1 Athletics - Sail Technique Take-off
|
By the end of the
lesson, the learner
should be able to:
-Perform the take-off phase of sail technique. -Position the foot correctly on the take-off board. -Demonstrate proper body lift during take-off. |
-Place one foot on the take-off board or line. -Lift the body off the ground. -Avoid stepping beyond the take-off board. -Practice the take-off motion with correct foot placement. |
How does proper take-off affect jump distance?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 127 -Long jump pit with take-off board -Take-off board markers -Demonstration charts -Safety equipment |
-Take-off technique
-Foot placement
-Body lift assessment
-Safety observation
|
|
| 9 | 3 |
2.0 PERFORMING AND DISPLAYING
|
2.1 Athletics - Sail Technique Flight
|
By the end of the
lesson, the learner
should be able to:
-Execute the flight phase of sail technique. -Position the body correctly during flight. -Show control during the flight phase. |
-Tuck the knees close to the chest during flight. -Bend the trunk forward. -Focus the eyes on the landing area ahead. -Practice the body positioning for flight phase. |
How is body positioned during the flight phase?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 127 -Long jump pit -Flight position demonstration charts -Video demonstrations -Safety equipment |
-Flight position assessment
-Body control
-Eye focus
-Technique execution
|
|
| 9 | 4 |
2.0 PERFORMING AND DISPLAYING
|
2.1 Athletics - Sail Technique Landing
2.1 Athletics - Practicing Sail Technique |
By the end of the
lesson, the learner
should be able to:
-Perform the landing phase of sail technique. -Position the body correctly for landing. -Demonstrate safe landing technique. |
-On contact with the ground, let knees give in to absorb shock. -Keep the head low and bring trunk forward to prevent sitting back. -Bring hands forward to assist the movement. -Practice safe landing technique. |
Why is proper landing technique important for safety?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 127
-Long jump pit with sand -Landing technique charts -Video demonstrations -Safety equipment -MENTOR Creative Arts Grade 6 Learner's Book Page 127-128 -Long jump field -Markers for practice stations -Observation checklists -Feedback forms |
-Landing technique
-Body position
-Shock absorption
-Safety observation
|
|
| 10 | 1 |
2.0 PERFORMING AND DISPLAYING
|
2.1 Athletics - Full Sail Technique Practice
|
By the end of the
lesson, the learner
should be able to:
-Perform the complete sail technique sequence. -Execute warm-up and cool-down activities. -Provide positive feedback to peers. |
-Do warm-up activities before executing the sail technique. -Visit the long jump field in or near school. -Take turns performing the complete sail technique. -Repeat until mastery is achieved. -Appreciate peers' efforts through clapping and cheering. -Perform cool-down exercises after the activity. |
How does regular practice contribute to skill mastery?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 128 -Long jump field -Warm-up and cool-down guides -Performance assessment sheets -Feedback forms |
-Complete technique execution
-Warm-up/cool-down participation
-Performance improvement
-Peer appreciation
|
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| 10 | 2 |
2.0 PERFORMING AND DISPLAYING
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2.1 Athletics - High Jump Facility
|
By the end of the
lesson, the learner
should be able to:
-Identify the high jump facility. -Explain the uses of different parts of high jump facility. -Show interest in high jump as a field event. |
-Study a picture of high jump facility. -Identify the event that takes place in the facility. -Discuss the uses of the labeled parts of the facility. -Explore the high jump facility in the school if available. |
What are the essential components of a high jump facility?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 128-129 -Pictures of high jump facility -High jump facility (if available) -Charts showing parts of facility -Video demonstrations |
-Facility identification
-Parts explanation
-Interest demonstration
-Oral questioning
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| 10 | 3 |
2.0 PERFORMING AND DISPLAYING
|
2.1 Athletics - Scissors Technique in High Jump
2.1 Athletics - Scissors Technique Practice |
By the end of the
lesson, the learner
should be able to:
-Describe the scissors technique in high jump. -Identify the stages of scissors technique. -Value safety measures in high jump. |
-Study pictures showing scissors technique. -Discuss what the learner is doing in the pictures. -Discuss the stages numbered in the picture. -Watch a video clip showing the scissors technique in high jump. |
How is the scissors technique performed in high jump?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 129
-Pictures of scissors technique -Video clips -Digital devices -Safety guidelines charts -MENTOR Creative Arts Grade 6 Learner's Book Page 130-131 -High jump facility -Landing mats -Bar at adjustable heights -Safety equipment -Demonstration charts |
-Technique description
-Stage identification
-Safety awareness
-Discussion participation
|
|
| 10 | 4 |
2.0 PERFORMING AND DISPLAYING
|
2.1 Athletics - Full Scissors Technique Practice
|
By the end of the
lesson, the learner
should be able to:
-Execute the complete scissors technique sequence. -Perform warm-up and cool-down activities. -Provide constructive feedback to peers. |
-Do warm-up activities before executing scissors technique. -Visit the high jump field in school. -Take turns performing scissors technique as instructed. -Perform repeatedly until well executed. -Appreciate peers' efforts by clapping and offering feedback. -Perform cool-down exercises after activity. |
How does regular practice contribute to skill mastery?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 131 -High jump facility -Warm-up and cool-down guides -Performance assessment sheets -Feedback forms |
-Complete technique execution
-Warm-up/cool-down participation
-Performance improvement
-Peer feedback quality
|
|
| 11 | 1 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder (16 lessons)
|
By the end of the
lesson, the learner
should be able to:
-Position fingers correctly on the descant recorder. -Identify finger holes closed by left and right hands. -Show interest in playing the descant recorder. |
-Observe pictures showing correct finger positioning. -Position fingers on descant recorder as guided in pictures. -Observe the finger holes closed by left-hand and right-hand fingers. -Identify which finger closes the back hole. -Discuss which finger supports the recorder when playing. |
How do you produce a good tone on a descant recorder?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 135-136 -Descant recorders -Finger position charts -Demonstration videos -Digital devices |
-Observation
-Finger positioning assessment
-Oral questions
-Participation
|
|
| 11 | 2 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Finger Positions
2.2 Descant Recorder - Digital Research |
By the end of the
lesson, the learner
should be able to:
-Identify notes shown on finger position charts. -Explain back hole usage for different notes. -Demonstrate correct finger positions. |
-Study pictures of descant recorder finger positions. -Identify the notes shown in the pictures. -Determine which notes are played when the back hole is open or covered. -Discuss finger positions for playing the identified notes. -Play the notes on a descant recorder. -Identify which note has the highest pitch. |
How do finger positions affect the notes produced?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 136
-Descant recorders -Finger position charts -Note identification cards -Pitch demonstration recordings -MENTOR Creative Arts Grade 6 Learner's Book Page 136-137 -Digital devices -Internet access -Video links -Note charts |
-Note identification
-Finger position demonstration
-Playing accuracy
-Pitch recognition
|
|
| 11 | 3 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Notes C and C'
|
By the end of the
lesson, the learner
should be able to:
-Identify finger positions for notes C and C'. -Play notes C and C' on the descant recorder. -Compare the pitch between Notes C and C'. |
-Look at pictures showing finger positions for notes C and C'. -Count how many finger holes are closed when playing Note C. -Discuss the number of fingers used to play Note C'. -Cover the holes on the descant recorder as shown and listen to pitches. -Compare the pitch between Note C and Note C'. -Practice playing the notes with group members. |
How do notes C and C' differ in finger position and sound?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 137 -Descant recorders -Note C and C' charts -Pitch comparison recordings -Finger position guides |
-Finger position accuracy
-Playing technique
-Pitch comparison
-Practice participation
|
|
| 11 | 4 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Notes D and D'
|
By the end of the
lesson, the learner
should be able to:
-Identify finger positions for notes D and D'. -Play notes D and D' on the descant recorder. -Compare the pitch between Notes D and D'. |
-Study pictures showing finger positions for notes D and D'. -Count how many finger holes are closed when playing note D. -Determine how many fingers are used to play note D. -Identify what happens to the back hole when playing D and D'. -Cover the holes as shown and listen to pitches produced. -Compare pitches between Notes D and D'. -Practice playing the notes. |
How do notes D and D' differ in finger position and sound?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 137-138 -Descant recorders -Note D and D' charts -Pitch comparison recordings -Finger position guides |
-Finger position accuracy
-Playing technique
-Pitch comparison
-Practice participation
|
|
| 12 | 1 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Note E
2.2 Descant Recorder - Note F |
By the end of the
lesson, the learner
should be able to:
-Identify finger positions for note E. -Play note E on the descant recorder. -Compare note E with previously learned notes. |
-Study a picture showing finger position for note E. -Count how many finger holes are closed when playing Note E. -Determine what happens to the back hole when playing Note E. -Cover the holes as shown and listen to sound produced. -Compare the sound with notes previously learned. -Practice playing note E with group members. |
How does note E compare to previously learned notes?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 138-139
-Descant recorders -Note E charts -Comparative note recordings -Finger position guides -MENTOR Creative Arts Grade 6 Learner's Book Page 139 -Note F charts |
-Finger position accuracy
-Playing technique
-Sound comparison
-Practice participation
|
|
| 12 | 2 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Playing Posture
|
By the end of the
lesson, the learner
should be able to:
-Demonstrate correct posture when playing the recorder. -Play various notes with proper technique. -Provide constructive feedback to peers. |
-Study a picture of a learner playing a descant recorder. -Discuss the posture of the learner. -Individually play notes C, E, F, and G on the descant recorder. -Sit upright with feet firmly on the ground. -Observe correct finger positions while playing. -Blow gently into the mouthpiece. -Comment on each other's performance. |
Why is proper posture important when playing the recorder?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 139-140 -Descant recorders -Posture demonstration charts -Mirrors for self-observation -Feedback forms |
-Posture demonstration
-Playing technique
-Note accuracy
-Peer feedback
|
|
| 12 | 3 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Note Recognition
|
By the end of the
lesson, the learner
should be able to:
-Identify finger positions for different notes. -Determine highest and lowest notes. -Play notes in ascending and descending order. |
-Study various finger positions and fill in the correct notes. -Identify the highest and lowest notes. -Identify notes played while the back hole is open. -Play the notes ascending (from lowest to highest). -Play the notes descending (from highest to lowest). -Understand the sol-fa ladder for ascending and descending notes. |
What is the relationship between finger positions and note pitch?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 140 -Descant recorders -Note identification charts -Sol-fa ladder diagrams -Ascending/descending practice guides |
-Note identification
-Pitch recognition
-Ascending/descending playing
-Sol-fa understanding
|
|
| 12 | 4 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Posture and Tonguing
2.2 Descant Recorder - Jingle Bells Melody |
By the end of the
lesson, the learner
should be able to:
-Demonstrate correct posture for playing. -Apply tonguing technique when playing. -Play notes with improved sound quality. |
-Watch a video clip on the posture and tonguing on the descant recorder. -Identify the correct posture when playing. -Understand what tonguing is as a technique. -Imitate the guide on tonguing technique. -Play notes C, D, E, F, G, A, B, C', and D' ascending and descending using tonguing technique. |
How does tonguing affect sound quality on the recorder?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 140-141
-Digital devices -Video on posture and tonguing -Descant recorders -Demonstration guides -MENTOR Creative Arts Grade 6 Learner's Book Page 141-142 -"Jingle Bells" sheet music -Video tutorial -Digital playback device -Rhythm cards |
-Posture demonstration
-Tonguing technique
-Sound quality assessment
-Ascending/descending playing
|
|
| 13 | 1 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - London Bridge Melody
|
By the end of the
lesson, the learner
should be able to:
-Play the melody of "London Bridge". -Apply rhythm to the melody. -Follow hygiene measures for recorder use. |
-Practice playing the "London Bridge" melody using a descant recorder. -Hum the melody of the song. -Clap to the rhythm, sounding the French rhythm names. -Discuss hygiene measures to observe when using a descant recorder. -Learn how to care for the recorder after playing. -Practice playing the melody and perform for classmates. |
Why are hygiene practices important when playing the recorder?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 142 -Descant recorders -"London Bridge" sheet music -Rhythm cards -Recorder cleaning supplies -Hygiene guidelines |
-Melody playing accuracy
-Rhythm application
-Hygiene practices
-Performance for feedback
|
|
| 13 | 2 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Kenya National Anthem
|
By the end of the
lesson, the learner
should be able to:
-Sing the first stanza of the Kenya National Anthem. -Listen to the main melody of the Anthem. -Show patriotism through music. |
-Sing the first stanza of the Kenya National Anthem. -Listen to the main melody of the Kenya National Anthem. -Understand the cultural and national significance of the Anthem. -Discuss proper decorum when performing the National Anthem. |
What is the cultural significance of the National Anthem?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 142-143 -Recording of Kenya National Anthem -Digital playback device -Lyrics of the National Anthem -Information on Anthem protocol |
-Singing accuracy
-Listening comprehension
-Patriotic attitude
-Protocol understanding
|
|
| 13 | 3 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Playing the National Anthem
2.2 Descant Recorder - Performance Practice |
By the end of the
lesson, the learner
should be able to:
-Play the Kenya National Anthem on the descant recorder. -Apply correct fingering and posture. -Demonstrate pride in the National Anthem. |
-Using a descant recorder, play the Kenya National Anthem melody. -Sit upright, observe correct finger positioning. -Play while tonguing notes. -Individually practice playing the melody. -Perform the melody during school assembly or functions. -Provide feedback for improvement. |
How can playing the National Anthem foster national identity?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 143
-Descant recorders -National Anthem sheet music -Finger position guides -Performance space -Recording device -All learned sheet music -Audience feedback forms |
-Playing accuracy
-Fingering technique
-Performance quality
-Patriotic expression
|
|
| 13 | 4 |
2.0 PERFORMING AND DISPLAYING
|
2.2 Descant Recorder - Instrument Care
|
By the end of the
lesson, the learner
should be able to:
-Demonstrate proper cleaning of the recorder. -Explain maintenance practices for the instrument. -Value instrument care as a responsible habit. |
-Learn the correct way to clean a descant recorder after use. -Demonstrate disassembling, cleaning, and reassembling the recorder. -Discuss proper storage of the instrument. -Understand how proper maintenance extends instrument life. -Create a cleaning and maintenance routine. |
Why is instrument care important for longevity and hygiene?
|
-MENTOR Creative Arts Grade 6 Learner's Book Page 143 -Descant recorders -Cleaning supplies -Maintenance guidelines -Storage containers -Demonstration videos |
-Cleaning demonstration
-Maintenance knowledge
-Storage practices
-Routine development
|
|
| 14 |
End term assessment |
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