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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Parts of the Recorder and Posture
|
By the end of the
lesson, the learner
should be able to:
- Identify and label the parts of a descant recorder: mouthpiece, windway, thumb hole, finger holes and bell - Demonstrate correct posture and left-hand and right-hand positioning when holding the recorder - Show care and responsibility in handling the descant recorder |
- Identify and label the parts of the descant recorder using a diagram in the learner's book
- Study how to hold the recorder: left thumb on back hole, left index, middle and ring fingers on top three front holes; right thumb as support and right fingers on lower holes - Practise holding the recorder correctly in pairs; give each other feedback on hand position and posture |
How does correct posture and hand positioning affect the sound produced on the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 82
- Descant recorders, parts diagram - Exercise books |
- Observation
- Oral questions
- Practical performance
|
|
| 1 | 2 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Finger Positions for C Major
Descant Recorder - Sight Reading for Recorder |
By the end of the
lesson, the learner
should be able to:
- State the correct finger positions for each note of the C major scale on the descant recorder - Play the C major scale slowly and smoothly with clear tone and correct fingering - Show patience and persistence in practising correct finger placement |
In groups, learners are guided to:
- Study the finger position chart for C D E F G A B C' on the descant recorder: which holes are covered or uncovered for each note - Practise covering and uncovering holes for each note individually before combining into a scale - Play the C major scale slowly upward and downward ensuring each note is clear and each transition is smooth |
Why is correct finger placement essential for producing clear notes on the descant recorder?
|
- Champion Creative Arts and Sports Grade 7 pg. 83
- Descant recorders, finger position chart - Exercise books - Champion Creative Arts and Sports Grade 7 pg. 84 - Descant recorders, printed music notation - Exercise books, pencils |
- Practical performance
- Observation
- Oral questions
|
|
| 1 | 3 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Playing Melodies in C Major
|
By the end of the
lesson, the learner
should be able to:
- Play simple pieces in C major and 2/4 time on the descant recorder with clear tone and steady rhythm - Gradually increase playing speed from slow to comfortable tempo while maintaining note clarity - Show confidence and steady improvement in recorder performance |
In groups, learners are guided to:
- Warm up by playing the C major scale ascending and descending - Play each measure of three short pieces in C major slowly then combine measures; focus on clear tone and playing in time - Gradually increase speed as comfort improves; in groups, play all three pieces and give each other feedback on clarity and rhythm |
How does practising a piece slowly before increasing speed improve the quality of recorder performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 85
- Descant recorders, printed music notation - Exercise books |
- Practical performance
- Observation
- Peer feedback
|
|
| 1 | 4 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Performing with Dynamics and Tempo
|
By the end of the
lesson, the learner
should be able to:
- Define dynamics (loud and soft) and tempo (fast and slow) as performance directions - Apply dynamics and tempo markings when performing a simple melody on the recorder - Appreciate how dynamics and tempo make a musical performance more expressive and engaging |
In groups, learners are guided to:
- Define performance directions and identify dynamics (forte, piano) and tempo (allegro, adagio) in a piece of music - Practise 'Rain Rain Go Away' on the recorder adding dynamics and tempo instructions gradually as comfort increases - Reflect on how adding dynamics and tempo changed the way the music sounded and what was most challenging about the exercise |
How do dynamics and tempo transform a simple melody into an expressive musical performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 86
- Descant recorders, printed music with performance directions - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 1 | 5 |
Creating and Performing in Creative Arts and Sports
|
Descant Recorder - Solo and Group Recorder Performance
Descant Recorder - Review of Fingering, Sight Reading and Performance |
By the end of the
lesson, the learner
should be able to:
- Perform a complete simple melody on the descant recorder from start to finish applying dynamics and tempo - Evaluate own and peers' recorder performances using criteria of tone clarity, rhythm, dynamics and tempo - Show confidence and pride in presenting a polished recorder performance to the class |
In groups, learners are guided to:
- In pairs, practise a chosen piece in C major and 2/4 time focusing on all performance directions - Present the best performance in class; teacher and peers observe for tone clarity, steady rhythm and correct application of dynamics and tempo - Note areas for improvement and record them in a personal improvement chart stored in the portfolio |
What does a polished recorder performance look and sound like?
|
- Champion Creative Arts and Sports Grade 7 pg. 87
- Descant recorders - Improvement chart, portfolio folder - Champion Creative Arts and Sports Grade 7 pg. 88 - Descant recorders, exercise books - Assessment worksheets, improvement chart |
- Practical performance
- Observation
- Peer feedback
|
|
| 2 | 1 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Storytelling Techniques
|
By the end of the
lesson, the learner
should be able to:
- Identify and describe storytelling techniques: use of voice, gestures, audience involvement and props/costumes - Demonstrate use of voice and gesture in telling a short story - Appreciate storytelling as a powerful performing arts technique for communication and cultural preservation |
In groups, learners are guided to:
- Observe a live or recorded storytelling session and identify how voice, gestures, props and audience involvement are used - In pairs, practise telling a short story using exaggerated gestures and varied tone, pitch and volume for different characters - Ask a small audience questions or invite participation at key moments; discuss how each technique made the story more engaging |
How do storytelling techniques make a story more engaging and memorable?
|
- Champion Creative Arts and Sports Grade 7 pg. 92
- Digital devices for recorded storytelling - Props and costumes (optional), exercise books |
- Observation
- Oral questions
- Peer feedback
|
|
| 2 | 2 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Use of Voice
|
By the end of the
lesson, the learner
should be able to:
- Explain how tone, pitch and volume are used to convey characters and emotions in storytelling - Demonstrate distinct voice changes for at least three different characters in a story - Show confidence and creativity in using vocal variety to bring characters to life |
In groups, learners are guided to:
- Discuss how a storyteller uses tone (warmth, sternness), pitch (high for children, low for elders) and volume (loud for excitement, soft for mystery) in storytelling - In pairs, choose a short story and practise using different voice qualities for each character - Perform to a small group; audience gives feedback on whether character voices were distinct and believable |
How does varying tone, pitch and volume make characters in a story more believable?
|
- Champion Creative Arts and Sports Grade 7 pg. 93
- Short story texts - Exercise books |
- Oral performance
- Observation
- Peer feedback
|
|
| 2 | 3 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Gestures and Audience Engagement
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate effective use of gestures, facial expressions and body movement in storytelling - Apply at least two audience involvement strategies such as call-and-response and audience participation - Value the interactive nature of storytelling as a communal experience |
In groups, learners are guided to:
- Practise telling a story using exaggerated gestures and facial expressions to convey emotions; vary gesture size for different moments - Practise audience involvement strategies: ask the audience to roar when the lion appears, repeat a phrase or make a sound at key moments - List other ways to engage an audience and share ideas in class |
How do gestures, facial expressions and audience involvement bring a story to life?
|
- Champion Creative Arts and Sports Grade 7 pg. 93
- Short story texts - Open performance space |
- Oral performance
- Observation
- Peer feedback
|
|
| 2 | 4 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Analysing Storytelling
Storytelling and Animation - Props, Costumes and Social Storytelling |
By the end of the
lesson, the learner
should be able to:
- Identify the elements used to evaluate a storytelling performance: theme, plot, confidence, voice, body, costume and audience involvement - Analyse a recorded storytelling performance using structured evaluation criteria - Appreciate the craft involved in a well-executed storytelling performance |
In groups, learners are guided to:
- Watch a recorded storytelling session and observe how the storyteller uses all techniques discussed in previous lessons - Discuss as a class what made the performance effective and what could be improved using evaluation criteria - Write a short analytical reflection on the most important elements of the performance and how they worked together |
What are the key elements that make a storytelling performance effective and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 94
- Digital devices for storytelling recordings - Exercise books, evaluation criteria - Champion Creative Arts and Sports Grade 7 pg. 95 - Digital/print resources, props and costumes (available items) - Exercise books |
- Written reflection
- Oral questions
- Observation
|
|
| 2 | 5 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Flipbook Animation Introduction
|
By the end of the
lesson, the learner
should be able to:
- Explain what a flipbook is and describe how sequential images create the illusion of movement - Identify the features of a good flipbook versus a poor one - Show curiosity and enthusiasm about animation as a form of visual storytelling |
In groups, learners are guided to:
- Read about the history of flipbooks and how they create animation through rapidly flipped sequential drawings - Compare features of a good flipbook (smooth animation, consistent positioning) with a poor one (choppy animation, inconsistent images) - Discuss how flipbooks relate to modern animation films; brainstorm a simple storyline for their own flipbook |
How does a flipbook create the illusion of movement through sequential drawings?
|
- Champion Creative Arts and Sports Grade 7 pg. 96
- Digital devices for flipbook examples - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 3 | 1 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Creating Flipbook Sequences
|
By the end of the
lesson, the learner
should be able to:
- Draw a sequence of images for a flipbook where each image shows a slight and consistent change from the previous one - Apply consistency in object positioning across frames using a ruler for alignment - Show creativity and patience in designing an engaging flipbook storyline |
In groups, learners are guided to:
- Write a brief storyline outline for the flipbook noting key actions per frame - Draw a sequence of 10–11 images showing gradual movement of a character or object; use a ruler to keep positions consistent across pages - Add details and expressions to make the story engaging; keep drawings clear and consistent for smooth animation |
How does careful sequencing of drawings create a convincing animation in a flipbook?
|
- Champion Creative Arts and Sports Grade 7 pg. 97
- Blank paper, pencils, erasers, coloured pencils, ruler - Flipbook sequence reference |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 3 | 2 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Completing and Presenting the Flipbook
Storytelling and Animation - Rehearsing the Story |
By the end of the
lesson, the learner
should be able to:
- Bind completed flipbook pages neatly using stapling, string binding or gluing - Demonstrate the completed flipbook animation by riffling through pages at different speeds - Show pride in craftsmanship and ability to share a self-made animation with others |
In groups, learners are guided to:
- Make two simple flipbooks from A4 paper by folding; arrange sequence drawings in correct order and align properly - Bind pages using stapling, string or gluing; draw a bouncing circle on each page as a test animation - Hold the flipbook and riffle at different speeds to see how speed affects the smoothness of animation; present to the class |
Why does the speed of riffling through a flipbook affect the quality of the animation?
|
- Champion Creative Arts and Sports Grade 7 pg. 98
- Completed sequence drawings, good quality paper, scissors, glue or tape, stapler or hole punch and string - Coloured pencils or markers - Champion Creative Arts and Sports Grade 7 pg. 99 - Written story/script, recording device (optional) - Comfortable clothing, open space, water bottle |
- Practical work assessment
- Observation
- Oral questions
|
|
| 3 | 3 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Story Performance
|
By the end of the
lesson, the learner
should be able to:
- Perform a 3–5 minute story before a class audience applying all storytelling techniques with confidence - Engage the audience effectively through eye contact, vocal variety, gestures and interaction - Value constructive feedback as a tool for growth as a performer |
In groups, learners are guided to:
- Warm up, then introduce the story confidently with a brief overview before beginning the performance - Perform the story using vocal variety, gestures, expressions, pauses and audience engagement throughout - Record the performance; after all performances write a reflection in the portfolio gathering feedback from teacher and classmates |
How does performing a story before a live audience develop confidence and communication skills?
|
- Champion Creative Arts and Sports Grade 7 pg. 100
- Written story/script, performance space, recording device (optional) - Portfolio folder |
- Practical performance
- Oral feedback
- Written reflection
|
|
| 3 | 4 |
Creating and Performing in Creative Arts and Sports
|
Storytelling and Animation - Review of Techniques, Flipbook and Performance
|
By the end of the
lesson, the learner
should be able to:
- Summarise all topics covered in Storytelling and Animation: techniques, analysis, flipbook and performance - Answer assessment questions covering all sub-strand concepts - Reflect on personal growth as a storyteller and animator |
In groups, learners are guided to:
- Review storytelling techniques (voice, gestures, audience involvement, props), flipbook animation steps and performance evaluation criteria - Complete a written assessment covering all topics in the sub-strand - Share what was most enjoyable about the sub-strand and what they would like to develop further in storytelling |
What key skills have you developed as a storyteller and animator during this sub-strand?
|
- Champion Creative Arts and Sports Grade 7 pg. 101
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 3 | 5 |
Creating and Performing in Creative Arts and Sports
|
Football - Foot Trapping
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate ball trapping using the inside and sole of the foot with correct body positioning and cushioning - Apply the foot trap in a passing drill with a partner sending the ball at different speeds - Show responsibility and safety awareness during football practice |
- Watch teacher demonstrate foot trapping using the inside and sole of the foot; study technique diagrams in the learner's book
- In pairs, practise foot trapping: position in line with the ball, lift trapping foot with toes up, cushion impact by pulling foot back - Give each other feedback on positioning, cushioning technique and ball control after each trapping repetition |
Why is correct cushioning technique important when trapping a ball with the foot in Football?
|
- Champion Creative Arts and Sports Grade 7 pg. 106
- Footballs, open field - Cones for organisation |
- Practical performance
- Observation
- Oral questions
|
|
| 4 | 1 |
Creating and Performing in Creative Arts and Sports
|
Football - Thigh and Chest Trapping
Football - Dribbling Skills |
By the end of the
lesson, the learner
should be able to:
- Demonstrate ball trapping using the thigh and chest with correct positioning and cushioning - Apply thigh and chest trapping techniques in partner drills with lofted passes - Value the importance of mastering multiple trapping techniques for versatile Football play |
In groups, learners are guided to:
- Watch teacher demonstrate thigh trap (raise thigh at upward angle, cushion by lowering as ball contacts) and chest trap (lift chest, lean back as ball contacts) - In pairs, practise thigh trapping with lofted passes focusing on positioning, angle and cushioning - Alternate between thigh and chest trapping; observe and give structured feedback on body position and control |
How do thigh and chest trapping techniques differ from foot trapping and when should each be used?
|
- Champion Creative Arts and Sports Grade 7 pg. 107
- Footballs, open field - Cones for drill organisation - Champion Creative Arts and Sports Grade 7 pg. 108 - Footballs, cones, open field - Digital reference clips (optional) |
- Practical performance
- Observation
- Peer feedback
|
|
| 4 | 2 |
Creating and Performing in Creative Arts and Sports
|
Football - Low Drive Shooting
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the low drive shot with correct approach, foot contact, follow-through and targeting - Apply the low drive shot from different positions aiming for the bottom corners of the goal - Show determination, accuracy and responsible behaviour during shooting practice |
In groups, learners are guided to:
- Watch teacher demonstrate the low drive shot focusing on approach angle, non-kicking foot placement, laced contact and low follow-through - Practise low drive shots from different positions around the penalty area aiming for the bottom corners with power - Give structured feedback on approach, foot contact point, power and accuracy; discuss what makes the low drive effective |
What makes a low drive shot difficult for a goalkeeper to stop?
|
- Champion Creative Arts and Sports Grade 7 pg. 110
- Footballs, goal posts, open field - Cones for shooting positions |
- Practical performance
- Observation
- Oral questions
|
|
| 4 | 3 |
Creating and Performing in Creative Arts and Sports
|
Football - Placed Shot
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the placed shot with correct inside-foot contact, controlled power and corner targeting - Apply the placed shot from different positions aiming for specific goal areas - Appreciate the difference between power and placement as strategic shooting options |
In groups, learners are guided to:
- Review the difference between a low drive (power, low corners) and placed shot (precision, specific corners) from previous lesson notes - Practise placed shots using the inside of the foot from different positions; focus on accuracy over power and consistent follow-through - Give structured feedback comparing accuracy of placed shots from different positions; discuss when a placed shot is better than a low drive |
When should a footballer choose a placed shot over a low drive shot?
|
- Champion Creative Arts and Sports Grade 7 pg. 111
- Footballs, goal posts, cones, open field - Exercise books |
- Practical performance
- Observation
- Peer feedback
|
|
| 4 | 4 |
Creating and Performing in Creative Arts and Sports
|
Football - Football Game
Football - Making Improvised Crayons |
By the end of the
lesson, the learner
should be able to:
- Apply trapping, dribbling and shooting skills in a full Football game - Demonstrate knowledge of Football positions and basic rules during the game - Show teamwork, sportsmanship and a positive attitude throughout game play |
In groups, learners are guided to:
- Organise into two teams; assign positions (goalkeeper, defenders, midfielders, forwards) and warm up before the game - Play a full Football game applying all skills learned; encourage each other throughout and follow the rules of fair play - Cool down after the game; discuss as a team what went well and identify two areas for improvement |
How do all Football skills come together in a real game situation to create effective team play?
|
- Champion Creative Arts and Sports Grade 7 pg. 112
- Footballs, goal posts, bibs, cones, open field - Whistle - Champion Creative Arts and Sports Grade 7 pg. 113 - Wax/used candles, pigments/food colouring, heat-safe container, stove or hot plate, moulds, stirring stick - Safety gloves, teacher supervision |
- Practical performance
- Observation
- Oral questions
|
|
| 4 | 5 |
Creating and Performing in Creative Arts and Sports
|
Football - Crayon Etching Composition
|
By the end of the
lesson, the learner
should be able to:
- Create a crayon etching pictorial composition depicting a Football scene - Apply the etching technique by scratching through a black-coated surface to reveal vibrant crayon colours underneath - Show creativity, precision and teamwork in producing and discussing the finished composition |
In groups, learners are guided to:
- Cut out Football skill images from magazines or printouts; choose sturdy paper and fill it with vibrant crayon layers using improvised crayons from the previous lesson - Cover the entire crayon surface with black paint/ink mixed with dish soap and allow to dry completely - Use a toothpick or scratching tool to etch the Football scene into the black surface revealing the coloured layer; display and discuss compositions in class |
How does the crayon etching technique create an unexpected and vibrant visual effect?
|
- Champion Creative Arts and Sports Grade 7 pg. 114
- Improvised crayons, black paint or ink, dish soap, toothpicks, sturdy paper, scissors, magazines - Ruler, pencils |
- Practical work assessment
- Observation
- Peer feedback
|
|
| 5 | 1 |
Creating and Performing in Creative Arts and Sports
|
Football - Review of Trapping, Dribbling, Shooting and Crayon Etching
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Football skills and art concepts covered: foot/thigh/chest trapping, dribbling, low drive, placed shot, game play and crayon etching - Complete a practical Football skills drill and a written assessment - Reflect on personal skill development and the link between Football and visual art |
In groups, learners are guided to:
- Review all trapping techniques, dribbling steps, shooting types, Football rules and crayon etching process - Complete a written assessment on all Football topics; demonstrate two Football skills in a practical drill for the teacher - Complete the self-assessment checklist on all Football learning outcomes and discuss as a class the link between sport and visual art |
What is the connection between Football skills and visual art in this sub-strand?
|
- Champion Creative Arts and Sports Grade 7 pg. 115
- Footballs, cones, open field - Self-assessment checklist, exercise books |
- Written test
- Practical performance
- Self-assessment
|
|
| 5 | 2 |
Creating and Performing in Creative Arts and Sports
|
Football - Relay Drills and Team Tactics
|
By the end of the
lesson, the learner
should be able to:
- Execute a football relay drill combining dribbling and passing through a cone course - Describe simple attacking and defensive tactics in Football - Show teamwork, communication and encouragement during relay and tactical drills |
In groups, learners are guided to:
- Set up a relay course with cones; each team member dribbles through the cones then passes to the next teammate and continues until all have completed the course - Discuss simple tactics: creating space through movement, supporting the ball carrier and defensive positioning - Reflect on how teamwork helped complete the relay efficiently and which tactics were most effective |
How do relay drills and simple tactics develop teamwork and football intelligence?
|
- Champion Creative Arts and Sports Grade 7 pg. 116
- Footballs, cones, bibs, open field - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 5 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Defining Folk Songs
Kenyan Folk Songs - Classifying Folk Songs |
By the end of the
lesson, the learner
should be able to:
- Define a folk song and distinguish between solo and group folk songs - Identify folk songs from at least three Kenyan communities and the occasions during which they are performed - Show respect and appreciation for the diversity of Kenya's folk song traditions |
In groups, learners are guided to:
- Discuss what a folk song is and how folk songs are passed from one generation to the next - Identify examples of Kenyan folk songs from communities such as Agikuyu, Akamba, Maasai and Luo and name the occasions they are sung - Distinguish between solo folk songs (herding songs, lullabies) and group folk songs; share examples in class |
Why are folk songs described as an important part of a community's cultural heritage?
|
- Champion Creative Arts and Sports Grade 7 pg. 117
- Digital devices for folk song recordings - Exercise books - Champion Creative Arts and Sports Grade 7 pg. 118 - Digital/print resources on Kenyan folk songs |
- Oral questions
- Observation
- Written assignment
|
|
| 5 | 4 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Folk Song Performance Techniques
|
By the end of the
lesson, the learner
should be able to:
- Describe folk song performance techniques: voice projection, tempo, dynamics, gestures and body movement - Identify the role of musical instruments and authentic idioms in folk song performance - Value the technical skill and cultural knowledge required to perform folk songs authentically |
In groups, learners are guided to:
- Visit or watch a recording of a folk song performance noting voice projection, tempo, dynamics, gestures, instruments and authentic idioms used - Identify the role of instruments such as obokano, orutu, drums and shakers in introducing, identifying community and providing tempo - Discuss how each performance technique contributes to expressing the mood, occasion and cultural identity of the folk song |
What performance techniques make a folk song performance authentic and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 120
- Digital devices for folk song recordings - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 5 | 5 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Rehearsing a Folk Song
|
By the end of the
lesson, the learner
should be able to:
- Take on roles of lead singer, chorus and instrumentalist in a folk song rehearsal - Rehearse a Kenyan folk song with correct tune, tone, mood and cultural body movements - Show teamwork, cultural pride and commitment during the rehearsal process |
In groups, learners are guided to:
- In groups, choose a Kenyan folk song and research its cultural background, occasion and significance using digital or print resources - Listen to recordings of the chosen song and practise taking on roles: lead singer starts and guides, chorus responds - Rehearse the song with correct mood and gestures; use digital devices to check pronunciation and cultural accuracy |
How does understanding the cultural background of a folk song improve the quality of the performance?
|
- Champion Creative Arts and Sports Grade 7 pg. 121
- Digital devices for folk song recordings - Traditional instruments (optional), exercise books |
- Observation
- Oral performance
- Peer feedback
|
|
| 6 | 1 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Folk Song Performance
Kenyan Folk Songs - Digital Research on Folk Songs |
By the end of the
lesson, the learner
should be able to:
- Perform a Kenyan folk song before the class applying correct technique, tone, gestures and cultural body movements - Evaluate each other's folk song performances using structured criteria: voice projection, tempo, dynamics, gestures and cultural elements - Appreciate and celebrate the cultural value of folk songs across different Kenyan communities |
In groups, learners are guided to:
- Perform the rehearsed folk song in class with full cultural presentation including costumes, gestures and movements - After each performance classmates complete a peer evaluation noting voice projection, tempo, gestures, mood and cultural authenticity - Reflect as a class on what made the best performances stand out and discuss the value of preserving folk songs |
How does performing a folk song with authentic technique and cultural expression preserve Kenya's heritage?
|
- Champion Creative Arts and Sports Grade 7 pg. 121
- Improvised cultural costumes and props - Peer evaluation form, exercise books - Champion Creative Arts and Sports Grade 7 pg. 117 - Digital devices / Internet access - Exercise books |
- Practical performance
- Peer assessment
- Observation
|
|
| 6 | 2 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Review and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Summarise all folk song topics: definition, classification, performance techniques, rehearsal and performance - Answer assessment questions covering all Kenyan Folk Songs concepts - Reflect on what was learnt and how folk songs connect them to their cultural identity |
In groups, learners are guided to:
- Review folk song definitions, classification criteria, performance techniques and folk song roles (lead singer, chorus, instruments) - Complete a written assessment on all folk song topics - Write a personal reflection on which folk song they found most meaningful and why, sharing with a classmate |
Why is studying and performing Kenyan folk songs important for cultural identity and heritage preservation?
|
- Champion Creative Arts and Sports Grade 7 pg. 119
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 6 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Folk Songs - Review and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Summarise all folk song topics: definition, classification, performance techniques, rehearsal and performance - Answer assessment questions covering all Kenyan Folk Songs concepts - Reflect on what was learnt and how folk songs connect them to their cultural identity |
In groups, learners are guided to:
- Review folk song definitions, classification criteria, performance techniques and folk song roles (lead singer, chorus, instruments) - Complete a written assessment on all folk song topics - Write a personal reflection on which folk song they found most meaningful and why, sharing with a classmate |
Why is studying and performing Kenyan folk songs important for cultural identity and heritage preservation?
|
- Champion Creative Arts and Sports Grade 7 pg. 119
- Exercise books - Assessment worksheets |
- Written test
- Oral questions
- Observation
|
|
| 6 | 4 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Function of Jewellery
Beadwork - Beadwork Materials |
By the end of the
lesson, the learner
should be able to:
- Identify the sociocultural, economic and symbolic functions of jewellery in Kenyan communities - Describe how jewellery communicates social status, age, marital status and cultural identity - Appreciate the cultural significance of beadwork as part of Kenya's rich heritage |
In groups, learners are guided to:
- Study pictures of jewellery from different communities and identify which community each piece belongs to - Read about beadwork functions: social stratification, ceremonies, spiritual meaning, trade and cultural preservation - In groups, brainstorm different functions of beaded jewellery and present findings in class |
What does beaded jewellery communicate about identity and culture in Kenyan communities?
|
- Champion Creative Arts and Sports Grade 7 pg. 122
- Pictures of Kenyan jewellery - Digital devices / print resources - Champion Creative Arts and Sports Grade 7 pg. 124 - Pictures of beadwork, materials table - Exercise books |
- Oral presentation
- Observation
- Written reflection
|
|
| 6 | 5 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Threading Materials and Sourcing
|
By the end of the
lesson, the learner
should be able to:
- Identify threading materials used in beadwork: fishing line, twine and wire and describe the properties of each - Source beadwork materials from the environment, craft stores and family resources - Show resourcefulness and environmental awareness when collecting materials for beadwork |
In groups, learners are guided to:
- Identify threading materials: fishing line (durable, clear), twine (strong, suitable for large beads) and wire (rigid beadwork) and discuss properties of each - List parts of a necklace and identify items that can be used to make each part from available resources - Plan an extended activity to source natural beads (shells, seeds, stones) and threading materials from home or environment |
Why is it important to choose the right threading material for a beadwork project?
|
- Champion Creative Arts and Sports Grade 7 pg. 125
- Fishing line, twine, wire samples - Exercise books |
- Oral questions
- Observation
- Written assignment
|
|
| 7 | 1 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Making Clay Beads
|
By the end of the
lesson, the learner
should be able to:
- Make clay beads following the correct steps of rolling, shaping, smoothing, piercing and drying - Produce beads that are evenly sized and have clean pierced holes for threading - Show craftsmanship, patience and care during the clay bead-making process |
In groups, learners are guided to:
- Roll clay on a flat surface and pinch into evenly-sized balls; dip fingers in water to soften the clay if needed - Roll each ball between palms to smooth, then use a toothpick or tapestry needle to pierce a clean hole through the centre - Allow beads to dry completely; identify any that need reshaping and correct them before drying is complete |
What steps are needed to make a well-crafted clay bead suitable for beadwork?
|
- Champion Creative Arts and Sports Grade 7 pg. 126
- Clay, water, toothpicks, workspace - Tapestry needle, flat board |
- Practical work assessment
- Observation
- Oral questions
|
|
| 7 | 2 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Painting Beads in Patriotic Colours
|
By the end of the
lesson, the learner
should be able to:
- Paint dried clay beads in Kenya's flag colours: red, white, green and black - Sort painted beads by colour in preparation for threading - Show patriotism and creativity in using Kenya's national colours in a beadwork project |
In groups, learners are guided to:
- Sort dried clay beads into four piles for painting - Paint each pile using red, white, green and black acrylic paint ensuring even coverage; allow each colour to dry completely before handling - Identify natural materials gathered from the environment such as shells, seeds and wood pieces as additional bead options for the jewellery project |
How can beadwork using Kenya's flag colours express patriotism and national identity?
|
- Champion Creative Arts and Sports Grade 7 pg. 127
- Dried clay beads, red/white/green/black acrylic paint, brushes - Newspaper to protect workspace |
- Practical work assessment
- Observation
- Oral questions
|
|
| 7 | 3 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - One-Way Beading Technique
Beadwork - Criss-Cross Beading Technique |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the one-way beading technique by stringing beads in a single direction onto thread or fishing wire - Create a beaded bracelet or necklace using Kenya's flag colours following a planned colour pattern - Show attention to detail and creativity in designing and completing the beadwork piece |
In groups, learners are guided to:
- Review the one-way technique: thread needle, knot one end of fishing wire or string and string beads in one direction in a planned colour sequence - String painted beads in Kenya's flag colours (black, red, green, white) following a patriotic pattern - Tie off the ends securely; display the bracelet or necklace and describe the colour pattern choice to classmates |
What pattern and colour choices make a one-way beaded piece both beautiful and culturally meaningful?
|
- Champion Creative Arts and Sports Grade 7 pg. 128
- Painted clay beads, fishing wire or thread, needles, scissors - Exercise books - Champion Creative Arts and Sports Grade 7 pg. 129 - One-way beaded piece from previous lesson |
- Practical work assessment
- Observation
- Oral questions
|
|
| 7 | 4 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Cultural Significance and Display
|
By the end of the
lesson, the learner
should be able to:
- Explain how beadwork carries cultural significance in ceremonies, social status and storytelling - Display completed beaded jewellery and present it describing design choices and patriotic meaning - Appreciate beadwork as a cultural art form that connects communities to their heritage and history |
In groups, learners are guided to:
- Read and discuss how beadwork is used in weddings, initiations, status symbols and storytelling; identify the cultural narratives communicated through patterns and colours - Display all completed beaded pieces and take turns presenting to the class: explain the technique used, colour pattern and what the piece represents - Discuss as a class how beadwork projects developed creativity, patriotism and understanding of Kenyan culture |
How does creating beadwork deepen understanding of cultural heritage and identity?
|
- Champion Creative Arts and Sports Grade 7 pg. 130
- Completed beaded jewellery pieces - Exercise books, display space |
- Oral presentation
- Observation
- Written reflection
|
|
| 7 | 5 |
Creating and Performing in Creative Arts and Sports
|
Beadwork - Review of Materials, Techniques and Cultural Significance
|
By the end of the
lesson, the learner
should be able to:
- Summarise all Beadwork topics: functions of jewellery, materials, threading, clay bead-making, one-way and criss-cross techniques and cultural significance - Complete a written assessment and self-assessment on all Beadwork learning outcomes - Reflect on personal growth in craft skills and cultural understanding through beadwork |
In groups, learners are guided to:
- Review beadwork functions, material properties, threading types, clay bead-making steps, both beading techniques and cultural significance of beadwork - Complete written assessment and self-assessment checklist on all Beadwork learning outcomes - Write a short paragraph on what was most meaningful about the beadwork project and share with a parent or guardian |
How has making beaded jewellery developed both your craft skills and appreciation for Kenyan cultural heritage?
|
- Champion Creative Arts and Sports Grade 7 pg. 131
- Exercise books, self-assessment checklist - Assessment worksheets |
- Written test
- Self-assessment
- Oral questions
|
|
| 8 | 1 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Water Safety and Entry
Swimming - Crouch Dive |
By the end of the
lesson, the learner
should be able to:
- Identify and describe the safety rules that must be observed before entering a swimming pool - Identify different water entry techniques and describe the body positions involved in each - Show awareness of pool safety rules and respect for supervision during all swimming activities |
In groups, learners are guided to:
- Discuss pool safety rules: check water depth, ensure area is clear, only enter under supervision, no running on pool deck - Study pictures of different water entry techniques and describe the body positions and movements shown for each - Watch teacher demonstrate water entry techniques and note safety measures observed for each; share observations in class |
Why are water safety rules essential before any swimming pool activity?
|
- Champion Creative Arts and Sports Grade 7 pg. 136
- Swimming pool, swim gear - Safety briefing checklist - Champion Creative Arts and Sports Grade 7 pg. 138 - Qualified instructor or teacher supervision |
- Observation
- Oral questions
- Written assignment
|
|
| 8 | 2 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Pencil Dive
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate the pencil dive entering the water feet-first with body straight and arms extended above head - Apply all safety measures for the pencil dive: check water depth, ensure area is clear and only dive under supervision - Show body control and safety awareness during the pencil dive |
In groups, learners are guided to:
- Discuss the pencil dive technique: stand at pool edge, feet together, body straight, arms extended above head, push off gently and enter feet-first - Practise the pencil dive under teacher supervision focusing on keeping body vertical and arms straight above head throughout entry - Give each other structured feedback after each dive; listen to teacher's additional feedback and make adjustments |
What safety measures and body positions are essential for a correct pencil dive?
|
- Champion Creative Arts and Sports Grade 7 pg. 139
- Swimming pool, swim gear - Qualified instructor or teacher supervision |
- Practical performance
- Observation
- Peer feedback
|
|
| 8 | 3 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Backstroke Flutter Kicks
|
By the end of the
lesson, the learner
should be able to:
- Describe and demonstrate flutter kicks in the supine position with correct body alignment and ankle relaxation - Apply flutter kick technique across a designated distance in the pool - Show perseverance and water confidence while practising backstroke flutter kicks |
In groups, learners are guided to:
- Watch teacher demonstrate correct backstroke body position: lie on back, body straight and relaxed, face above water - Practise flutter kicks: legs straight, kick alternately up and down with relaxed ankles and small quick movements across the pool - In pairs, observe each other's kick frequency, leg straightness and body position; give structured feedback and make corrections |
How do effective flutter kicks contribute to a smooth and efficient backstroke?
|
- Champion Creative Arts and Sports Grade 7 pg. 140
- Swimming pool, swim gear - Qualified instructor or teacher supervision |
- Practical performance
- Observation
- Peer feedback
|
|
| 8 | 4 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Backstroke Arm Action and Breathing
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate backstroke arm action: circular motion alternating each arm pull with fingers closed - Coordinate arm action with rhythmic breathing: inhaling through the mouth and exhaling through the nose or mouth - Show steadily improving coordination of kick, arms and breathing in backstroke |
In groups, learners are guided to:
- Watch teacher demonstrate backstroke arm action: extend arms above head, pull down in a circular motion alternating each arm - Practise arm action in the pool combining with flutter kicks; focus on keeping arms straight with fingers closed to maximise pull - Add rhythmic breathing to the coordinated kick and arm action; practise across a designated distance and give each other feedback on coordination and breathing rhythm |
How does coordinating arm action and breathing with flutter kicks improve backstroke efficiency?
|
- Champion Creative Arts and Sports Grade 7 pg. 140
- Swimming pool, swim gear - Qualified instructor or teacher supervision |
- Practical performance
- Observation
- Peer feedback
|
|
| 8 | 5 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Full Backstroke and Relay
Swimming - Skills Consolidation and Practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate a complete backstroke combining flutter kicks, arm action and rhythmic breathing across a pool length - Participate in a backstroke relay race showing improved technique and team spirit - Show perseverance, safety consciousness and genuine support for teammates during swimming activities |
In groups, learners are guided to:
- Practise full backstroke coordination combining kicks, arm action and breathing in one smooth motion across the pool - In small groups, conduct a backstroke relay race: each swimmer completes a designated distance using backstroke while teammates cheer and encourage - After the relay, discuss what was done well in coordination, kick quality and breathing; set personal targets for improvement |
How does combining all elements of backstroke create a smooth and effective swimming style?
|
- Champion Creative Arts and Sports Grade 7 pg. 141
- Swimming pool, swim gear - Qualified instructor or teacher supervision - Skills circuit checklist |
- Practical performance
- Observation
- Peer feedback
|
|
| 9 | 1 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Water Safety Review and Assessment
|
By the end of the
lesson, the learner
should be able to:
- Summarise all pool safety rules and explain why each rule exists - Demonstrate at least two swimming skills to the required standard during a practical assessment - Reflect on personal progress and safety habits developed throughout the swimming lessons |
In groups, learners are guided to:
- Review all pool safety rules from the first lesson and explain the reason behind each one - Complete a practical swimming assessment: demonstrate water entry, one dive and a backstroke length for the teacher - Complete the self-assessment checklist for all swimming learning outcomes and discuss personal progress |
Why is following pool safety rules just as important as developing swimming technique?
|
- Champion Creative Arts and Sports Grade 7 pg. 136
- Swimming pool, swim gear - Self-assessment checklist, assessment rubric |
- Practical performance
- Observation
- Self-assessment
|
|
| 9 | 2 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Written Assessment and Reflection
|
By the end of the
lesson, the learner
should be able to:
- Answer written assessment questions covering all swimming topics: safety, water entry, crouch dive, pencil dive and backstroke - Write a personal reflection on growth and confidence gained during swimming lessons - Show pride and gratitude for the swimming skills and safety knowledge developed |
In groups, learners are guided to:
- Complete a written assessment on all swimming topics: safety rules, water entry techniques, crouch dive steps, pencil dive safety and backstroke coordination elements - Write a personal reflection: what was most challenging, what improved most and how swimming skills will be used in life - Share the reflection with a classmate and celebrate each other's progress and growth in swimming |
What have you learnt about swimming safety and technique and how will these skills benefit you in life?
|
- Champion Creative Arts and Sports Grade 7 pg. 142
- Exercise books, assessment worksheets - Portfolio folder |
- Written test
- Written reflection
- Observation
|
|
| 9 | 3 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Swimming for Fitness
Swimming - Aquatic Careers and Safety |
By the end of the
lesson, the learner
should be able to:
- Explain the health and fitness benefits of regular swimming including cardiovascular fitness, muscle strengthening and flexibility - Describe how different swimming strokes develop different muscle groups - Show motivation to continue swimming as a lifelong fitness activity |
In groups, learners are guided to:
- Discuss the health benefits of swimming: cardiovascular fitness, full-body muscle engagement, low-impact exercise and stress relief - Identify which muscle groups are developed by backstroke arm action, flutter kicks and diving techniques - Create a personal swimming fitness plan showing how frequently they would swim and which skills to practise; share with a classmate |
How does swimming contribute to overall physical fitness and well-being?
|
- Champion Creative Arts and Sports Grade 7 pg. 135
- Exercise books, digital devices for reference - Personal fitness plan template - Digital devices for research - Exercise books |
- Written assignment
- Oral questions
- Observation
|
|
| 9 | 4 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Competition Rules and Etiquette
|
By the end of the
lesson, the learner
should be able to:
- Identify basic competitive swimming rules including lane usage, turns and disqualification rules - Demonstrate proper pool etiquette during competitive and recreational swimming sessions - Show respect, fairness and sportsmanship in a competitive swimming context |
In groups, learners are guided to:
- Discuss basic competitive swimming rules: lane assignments, legal starts, turning rules and disqualification criteria - Role-play a mini swimming competition following the rules: designated lanes, fair starts and lane etiquette during and after races - Reflect on the importance of following rules and showing sportsmanship in competitive swimming; connect to broader sports values learned in Strand 1 |
Why are rules and etiquette important in both competitive and recreational swimming?
|
- Champion Creative Arts and Sports Grade 7 pg. 135
- Swimming pool, swim gear, lane dividers - Exercise books |
- Practical performance
- Observation
- Oral questions
|
|
| 9 | 5 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Portfolio Completion and Sub-Strand Review
|
By the end of the
lesson, the learner
should be able to:
- Compile all swimming notes, reflections, self-assessments and the personal fitness plan into the portfolio - Summarise the full swimming sub-strand in a visual summary or mind map - Celebrate personal achievement and growth in swimming skills, safety and aquatic knowledge |
In groups, learners are guided to:
- Organise all swimming materials into the portfolio: safety rules summary, skill notes, self-assessment checklists, personal fitness plan and reflections - Create a visual summary or mind map of the entire swimming sub-strand covering safety, skills and career connections - Present the portfolio page on swimming to a classmate and give each other encouraging feedback on their swimming journey |
How does compiling a swimming portfolio help you recognise and celebrate your own learning journey?
|
- Champion Creative Arts and Sports Grade 7 pg. 135
- Portfolio folder, completed swimming materials - Exercise books, coloured pencils |
- Portfolio assessment
- Observation
- Peer feedback
|
|
| 10 |
END OF TERM ASSESSMENT AND CLOSING |
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