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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Indigenous Kenyan percussion instruments
Picture Making (Percussion Instruments) - Method of playing percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Identify percussion instruments from different Kenyan communities - Name communities where percussion instruments originate from - Appreciate percussion instruments from different Kenyan communities |
In groups, learners are guided to:
- Observe pictures of percussion instruments from different Kenyan communities -Identify percussion instruments from different Kenyan communities -Name the communities where percussion instruments originate from -Discuss how each instrument is played -Watch a video clip on the performance of Kenyan percussion instruments |
How are percussion instruments from different Kenyan communities identified?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 3
-Digital devices -Percussion instruments - Mentor Creative Arts Grade 4 Learner's Book, pg. 4 |
- Observation
-Oral questions
-Written assignments
|
|
| 1 | 2 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Classifying percussion instruments
Picture Making (Percussion Instruments) - Parts of percussion instruments Picture Making (Percussion Instruments) - Functions of parts of percussion instruments Picture Making (Percussion Instruments) - Researching parts of percussion instruments Picture Making (Percussion Instruments) - Improvising rhythmic patterns |
By the end of the
lesson, the learner
should be able to:
- Classify percussion instruments as melodic and non-melodic - Differentiate between melodic and non-melodic percussion instruments - Appreciate various types of percussion instruments |
In groups, learners are guided to:
- Study pictures of different percussion instruments -Listen to sounds from melodic and non-melodic percussion instruments -Classify percussion instruments as melodic and non-melodic -Fill in a table with melodic and non-melodic percussion instruments |
How are percussion instruments classified?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 5
-Melodic and non-melodic percussion instruments -Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 6 -Drums - Mentor Creative Arts Grade 4 Learner's Book, pg. 7 -Percussion instruments - Mentor Creative Arts Grade 4 Learner's Book, pg. 8 -Drawing materials -Drums and other percussion instruments |
- Observation
-Oral questions
-Written tests
|
|
| 1 | 3 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Making charcoal sticks
Picture Making (Percussion Instruments) - Procedure for making charcoal sticks Picture Making (Percussion Instruments) - Tonal value in art Picture Making (Percussion Instruments) - Drawing shapes with charcoal sticks |
By the end of the
lesson, the learner
should be able to:
- Identify materials used for making charcoal sticks - Collect materials for making charcoal sticks - Show interest in making charcoal sticks |
In groups, learners are guided to:
- Study pictures of charcoal sticks -Identify materials used for making charcoal sticks -Collect materials for making charcoal sticks (green sticks, tin, nail, hammer, matchbox, sand, pan, cutting tools) -Store collected materials safely |
Why are charcoal sticks important in drawing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 10
-Materials for making charcoal sticks - Mentor Creative Arts Grade 4 Learner's Book, pg. 11 - Mentor Creative Arts Grade 4 Learner's Book, pg. 12 -Digital devices -Charts showing tonal values -Charcoal sticks -Drawing paper |
- Observation
-Oral questions
-Project work
|
|
| 1 | 4 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Creating tonal shading
Picture Making (Percussion Instruments) - Drawing percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Match different tones using charcoal sticks - Apply appropriate pressure to create different tones - Value the importance of tonal variation in drawing |
In groups, learners are guided to:
- Use charcoal sticks to shade boxes to match given tones -Apply light pressure to shade light areas -Apply more pressure to shade dark areas -Practice creating tonal gradation |
How does pressure application affect tonal variation?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 13
-Charcoal sticks -Drawing paper - Mentor Creative Arts Grade 4 Learner's Book, pg. 14 -Percussion instruments |
- Observation
-Project work
-Portfolio assessment
|
|
| 1 | 5 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Smudging technique
Picture Making (Percussion Instruments) - Creating a portfolio Picture Making (Percussion Instruments) - Drawing different percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Apply the smudging technique in drawing - Create tonal variations using the smudging technique - Observe cleanliness when using the smudging technique |
In groups, learners are guided to:
- Shade dark areas of the drawing -Rub areas to spread charcoal marks towards highlighted areas -Increase shadow gradually -Draw final lines to complete the drawing -Follow drawing tips for using charcoal |
What is the effect of the smudging technique in drawing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 14
-Charcoal sticks -Drawing paper -Cloths for smudging - Mentor Creative Arts Grade 4 Learner's Book, pg. 15 -Drawings -Colored manila paper -Glue -Pictures of percussion instruments |
- Observation
-Project work
-Portfolio assessment
|
|
| 1 | 6 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Drawing Kenyan percussion instruments
Picture Making (Percussion Instruments) - Identifying percussion instruments by playing method Picture Making (Percussion Instruments) - Making percussion instruments |
By the end of the
lesson, the learner
should be able to:
- Draw percussion instruments from Kenyan communities - Shade drawings using charcoal sticks - Value artwork from different communities |
In groups, learners are guided to:
- Draw two percussion instruments from Kenyan communities -Shade the percussion instruments using charcoal sticks -Apply smudging technique using a piece of cloth -Show work to parents/guardians for comments |
What makes percussion instruments from different communities unique?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 16
-Pictures of percussion instruments -Charcoal sticks -Drawing paper - Mentor Creative Arts Grade 4 Learner's Book, pg. 3-7 -Locally available materials for making percussion instruments |
- Observation
-Project work
-Home assignment
|
|
| 2 | 1 |
Creating and Execution
|
Picture Making (Percussion Instruments) - Assembling percussion instruments
Netball - Introduction to Netball skills |
By the end of the
lesson, the learner
should be able to:
- Make a percussion instrument using locally available materials - Tune the percussion instrument appropriately - Observe safety measures when making percussion instruments |
In groups, learners are guided to:
- Work in groups to make percussion instruments (rattles, shakers, drums, gourds or marimba) -Assemble the parts correctly -Tune the instruments appropriately -Test the sound produced by the instruments -Store the instruments safely |
How can percussion instruments be assembled and tuned?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 3-7
-Materials for making percussion instruments -Tools for assembling - Mentor Creative Arts Grade 4 Learner's Book, pg. 17 -Pictures of Netball games -Digital devices |
- Observation
-Project work
-Peer assessment
|
|
| 2 | 2 |
Creating and Execution
|
Netball - Chest pass technique
Netball - Demonstrating chest pass Netball - Practicing chest pass |
By the end of the
lesson, the learner
should be able to:
- Explain how to perform chest pass in Netball - Identify the stance, grip, release and follow through for chest pass - Value the importance of proper technique in chest pass |
- Study a picture of a learner performing chest pass
-Observe how the ball is held and where the eyes are focused -Watch a video of chest pass in Netball -Discuss the stance, grip, release and follow through for chest pass |
How is chest pass performed in Netball?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 18
-Netball balls -Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 19 -Open space - Mentor Creative Arts Grade 4 Learner's Book, pg. 20 |
- Observation
-Oral questions
-Demonstration
|
|
| 2 | 3 |
Creating and Execution
|
Netball - Overhead pass technique
Netball - Demonstrating overhead pass |
By the end of the
lesson, the learner
should be able to:
- Explain the overhead pass technique in Netball - Identify the arm and leg position for overhead pass - Appreciate the use of overhead pass in Netball |
- Study a picture of a learner performing overhead pass
-Observe where the ball is held at the beginning -Identify how the arms and legs are positioned -Discuss the skill being performed |
What makes overhead pass different from chest pass?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 20
-Netball balls -Digital devices - Mentor Creative Arts Grade 4 Learner's Book, pg. 21 -Open space |
- Observation
-Oral questions
-Written assignments
|
|
| 2 | 4 |
Creating and Execution
|
Netball - Practicing overhead pass
Netball - Double-handed catching Netball - Demonstrating double-handed catching |
By the end of the
lesson, the learner
should be able to:
- Practice overhead pass in a circle formation - Pass the ball accurately using overhead pass - Observe teamwork when practicing overhead pass |
- Form a circle of 6 learners
-Choose one learner to be a ball feeder -Ball feeder stands in the circle while receiver stands outside -Ball feeder passes to receiver using overhead pass -Receiver runs around the circle while continuing to catch and return the ball -Take turns to change roles |
How does practicing in a circle formation improve overhead pass skills?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 22
-Netball balls -Open space - Mentor Creative Arts Grade 4 Learner's Book, pg. 23 -Digital devices |
- Observation
-Performance assessment
-Peer assessment
|
|
| 2 | 5 |
Creating and Execution
|
Netball - Practicing double-handed catching
Netball - Introduction to macramé technique Netball - Making a ball using macramé technique (1) |
By the end of the
lesson, the learner
should be able to:
- Practice double-handed catching with a partner - Catch the ball accurately using double-handed technique - Observe safety measures when practicing catching |
In groups, learners are guided to:
- Mark two circles on the ground 2 meters apart -Stand in each circle as shown -Throw and catch the ball using double-handed catching -Repeat the activity several times -Observe safety measures |
How can double-handed catching be practiced effectively?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 24
-Netball balls -Open space -Markers - Mentor Creative Arts Grade 4 Learner's Book, pg. 25 -Macramé materials (yarns, strings, fabrics) -Scissors - Mentor Creative Arts Grade 4 Learner's Book, pg. 26 |
- Observation
-Performance assessment
-Peer assessment
|
|
| 2 | 6 |
Creating and Execution
|
Netball - Making a ball using macramé technique (2)
Netball - Completing a ball using macramé |
By the end of the
lesson, the learner
should be able to:
- Continue the ball-making process using macramé - Tie horizontal knots across vertical strings - Observe safety when using scissors |
In groups, learners are guided to:
- Continue tying knots vertically around the ball -Overlap the strings as shown -Begin to tie horizontal strings -Tie horizontal strings across vertical strings -Ensure horizontal strings are firmly secured |
How are vertical and horizontal strings combined in macramé?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 26
-Macramé materials (yarns, strings, fabrics) -Scissors |
- Observation
-Project work
-Peer assessment
|
|
| 3 | 1 |
Creating and Execution
|
Netball - Practicing Netball skills
Netball - Drawing playing Netball Netball - Color classification |
By the end of the
lesson, the learner
should be able to:
- Apply passing, catching and shooting skills in a mini-game - Play a mini-game of Netball following the rules - Show teamwork during the game |
In groups, learners are guided to:
- Form two groups with equal number of players -Play a mini-game of Netball -Apply the skills of passing and catching -Start the game at the center -Attempt to score into opponent's side -Restart game from center after each score |
How are Netball skills applied in a game situation?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 27
-Netball balls -Open space -Markers - Mentor Creative Arts Grade 4 Learner's Book, pg. 28 -Drawing paper -Paint -Brushes - Mentor Creative Arts Grade 4 Learner's Book, pg. 30 -Primary and secondary color charts |
- Observation
-Performance assessment
-Peer assessment
|
|
| 3 | 2 |
Creating and Execution
|
Netball - Preparing materials for mixing colors
Netball - Mixing primary colors (yellow and blue) Netball - Mixing primary colors (red and yellow) |
By the end of the
lesson, the learner
should be able to:
- Identify materials needed for mixing colors - Collect materials for color mixing - Show interest in color mixing activities |
In groups, learners are guided to:
- Study pictures of materials used for mixing colors -Identify the materials (palette, paintbrushes, water containers) -Collect materials needed for mixing colors -Store materials in the Creative Arts corner -Discuss painting tips |
What materials are necessary for effective color mixing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 31
-Paint -Brushes -Palettes -Water containers -Paint (yellow and blue) - Mentor Creative Arts Grade 4 Learner's Book, pg. 32 -Paint (red and yellow) |
- Observation
-Oral questions
-Written assignments
|
|
| 3 | 3 |
Creating and Execution
|
Netball - Mixing primary colors (red and blue)
Netball - Creating a color wheel |
By the end of the
lesson, the learner
should be able to:
- Mix red and blue to create a secondary color - Identify the secondary color created - Show creativity in color mixing |
In groups, learners are guided to:
- Pour a small amount of red paint on a palette -Add an equal amount of blue paint -Mix the two colors using a paintbrush -Identify the secondary color created (purple) -Clean brushes after mixing |
What secondary color is created by mixing red and blue?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 32
-Paint (red and blue) -Brushes -Palettes -Water containers -Drawing paper -Paint |
- Observation
-Project work
-Oral questions
|
|
| 3 | 4 |
Creating and Execution
|
Netball - Color tones (light tones)
Netball - Mixing orange with white Rhythm and Pattern Making - Introduction to rhythmic patterns |
By the end of the
lesson, the learner
should be able to:
- Explain what tone is in color - Create light tones by adding white to a color - Value the importance of tonal variation |
In groups, learners are guided to:
- Learn that tone is the lightness or darkness of a color -Understand that adding white makes a color lighter -Draw five equal rectangles to make a color strip -Prepare to mix secondary colors with white |
How does adding white affect the tone of a color?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 33
-Paint (secondary colors and white) -Brushes -Palettes -Drawing paper -Paint (orange and white) - Mentor Creative Arts Grade 4 Learner's Book, pg. 42 -Digital devices |
- Observation
-Oral questions
-Written assignments
|
|
| 3 | 5 |
Creating and Execution
|
Rhythm and Pattern Making - Rhythm in songs
Rhythm and Pattern Making - Rhythm in words Rhythm and Pattern Making - French rhythm names |
By the end of the
lesson, the learner
should be able to:
- Identify rhythm in a song - Clap the rhythm of words in a song - Appreciate rhythm in songs |
In groups, learners are guided to:
- Sing the song "Mary had a little lamb" -Read the first line of the song -Read and clap the rhythm of the words -Sing while clapping the rhythm of the song -Discuss the importance of rhythm in songs |
How is rhythm identified in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 42
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 43 -Word cards - Mentor Creative Arts Grade 4 Learner's Book, pg. 44 -Charts showing French rhythm names |
- Observation
-Performance assessment
-Oral questions
|
|
| 3 | 6 |
Creating and Execution
|
Rhythm and Pattern Making - Practicing French rhythm names
Rhythm and Pattern Making - Identifying rhythm in words |
By the end of the
lesson, the learner
should be able to:
- Recite French rhythm names - Clap rhythms while reciting French rhythm names - Show interest in rhythmic patterns |
In groups, learners are guided to:
- Recite French rhythm names -Practice clapping rhythms while reciting -Sound the beat while clapping -Perform rhythmic patterns in groups |
How can French rhythm names be practiced through clapping?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 44
-Charts showing rhythmic patterns - Mentor Creative Arts Grade 4 Learner's Book, pg. 45 -Word cards |
- Observation
-Performance assessment
-Peer assessment
|
|
| 4 | 1 |
Creating and Execution
|
Rhythm and Pattern Making - Clapping syllables of words
Rhythm and Pattern Making - Note values and their French names Rhythm and Pattern Making - Steady beat (clock) |
By the end of the
lesson, the learner
should be able to:
- Clap as they recite words - Identify words with long sounds - Identify words with short sounds |
In groups, learners are guided to:
- Clap as they recite words (lion, sugarcane, pesa, ice) -Identify words with long sounds -Identify words with short sounds -Fill in a table with words, syllables, and French rhythm names |
How are long and short sounds identified in words?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 45
-Word cards - Mentor Creative Arts Grade 4 Learner's Book, pg. 46 -Charts showing note values and French rhythm names - Mentor Creative Arts Grade 4 Learner's Book, pg. 47 -Clock |
- Observation
-Oral questions
-Written assignments
|
|
| 4 | 2 |
Creating and Execution
|
Rhythm and Pattern Making - Heartbeat rhythm
Rhythm and Pattern Making - Rhythm in children's song |
By the end of the
lesson, the learner
should be able to:
- Feel heartbeat - Imitate the sound of heartbeat - Compare heartbeat before and after running |
In groups, learners are guided to:
- Place hands on the left side of the chest -Imitate the sound of the heartbeat -Clap the sound while reciting the crotchet French rhythm name -Feel heartbeat before and after running -Compare the difference in heartbeat |
How does the heartbeat relate to rhythm?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 47
-Open space for running - Mentor Creative Arts Grade 4 Learner's Book, pg. 48 -Song charts |
- Observation
-Demonstration
-Oral questions
|
|
| 4 | 3 |
Creating and Execution
|
Rhythm and Pattern Making - Note symbols and rests
Rhythm and Pattern Making - Singing rhythm in songs Rhythm and Pattern Making - Clapping rhythm of songs |
By the end of the
lesson, the learner
should be able to:
- Match note symbols with their rests - Identify rests for different note values - Value the importance of rests in music |
In groups, learners are guided to:
- Match note symbols with their rests -Identify rest representing quaver beat -Identify rest representing crotchet beat -Write rest for a pair of quavers -Learn that a rest in music means silence |
How are rests used in rhythmic patterns?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 49
-Charts showing note symbols and rests - Mentor Creative Arts Grade 4 Learner's Book, pg. 50 -Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 51 |
- Observation
-Oral questions
-Written assignments
|
|
| 4 | 4 |
Creating and Execution
|
Rhythm and Pattern Making - Free hand lettering (1)
Rhythm and Pattern Making - Free hand lettering (2) Rhythm and Pattern Making - Writing French rhythm names |
By the end of the
lesson, the learner
should be able to:
- Identify letters of the alphabet with different heights - Identify ascenders and descenders in letters - Show interest in free hand lettering |
In groups, learners are guided to:
- Look at letters of the alphabet -Discuss differences in letter shapes -Identify letters with parts that go up (ascenders) -Identify letters with parts that go down (descenders) -Identify letters that fit in the middle |
What are ascenders and descenders in letter writing?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 52
-Charts showing letters of the alphabet -Writing materials - Mentor Creative Arts Grade 4 Learner's Book, pg. 53 -Charts showing letters with ascenders and descenders - Mentor Creative Arts Grade 4 Learner's Book, pg. 54 -Charts showing French rhythm names |
- Observation
-Oral questions
-Written assignments
|
|
| 4 | 5 |
Creating and Execution
|
Composing Melody - Introduction to melody
Composing Melody - Sol-fa syllables and ladder |
By the end of the
lesson, the learner
should be able to:
- Sing a lullaby - Hum the melody of a song - Identify high and low sounds in a song |
In groups, learners are guided to:
- Sing the song "Go to sleep" -Hum the song -Compare singing and humming the song -Identify parts of the song that sound high -Identify parts of the song that sound low -Learn about pitch in music |
How are high and low sounds identified in a melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 65
-Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 66 -Sol-fa ladder chart |
- Observation
-Performance assessment
-Oral questions
|
|
| 4 | 6 |
Creating and Execution
|
Composing Melody - Performing melodies
Composing Melody - Sol-fa in "Go to sleep" Composing Melody - Sol-fa in "Hot cross bun" |
By the end of the
lesson, the learner
should be able to:
- Perform simple melodies using sol-fa syllables - Work together in group performances - Give constructive feedback on performances |
In groups, learners are guided to:
- Perform three given melodies -Sing in groups -Comment on each group's performance -Discuss challenges faced during performance -Suggest ways to improve |
How can melodies be performed effectively?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 66
-Charts showing melodies - Mentor Creative Arts Grade 4 Learner's Book, pg. 67 -Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 68 -Digital devices -Song charts |
- Observation
-Performance assessment
-Peer assessment
|
|
| 5 | 1 |
Creating and Execution
|
Composing Melody - Hand signs for sol-fa syllables
Composing Melody - Practicing sol-fa with hand signs Composing Melody - Hand signs in "Mary had a little lamb" |
By the end of the
lesson, the learner
should be able to:
- Watch a video of Kodaly hand signs - Imitate hand signs for sol-fa syllables - Show correct hand signs to friends |
In groups, learners are guided to:
- Watch a video of Kodaly hand signs -Imitate the hand signs for sol-fa syllables d, r, m -Show friends the hand signs for sol-fa syllables -Learn the correct hand position for each sol-fa syllable |
How do hand signs help in learning sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 69
-Digital devices -Charts showing hand signs - Mentor Creative Arts Grade 4 Learner's Book, pg. 70 -Song charts with sol-fa syllables |
- Observation
-Demonstration
-Peer assessment
|
|
| 5 | 2 |
Creating and Execution
|
Composing Melody - Free hand lettering of sol-fa
Composing Melody - Identifying sol-fa in songs |
By the end of the
lesson, the learner
should be able to:
- Study artwork showing lettering - Write letters neatly in exercise book - Value neatness in written work |
In groups, learners are guided to:
- Study artwork showing lettering -Identify what is shown in the pictures -Write letters neatly in exercise book -Practice writing sol-fa syllables using free hand lettering |
How can free hand lettering be applied to sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 71
-Writing materials -Digital devices |
- Observation
-Written work
-Peer assessment
|
|
| 5 | 3 |
Creating and Execution
|
Composing Melody - Steps to identify sol-fa
Composing Melody - Stepwise motion Composing Melody - Sound duration in melody |
By the end of the
lesson, the learner
should be able to:
- Follow steps to identify sol-fa notes - Sing along to recordings - Identify 'd' syllable in songs |
In groups, learners are guided to:
- Learn steps to identify sol-fa notes in a song -Sing along to recordings or hum to melodies -Practice singing sol-fa syllables up and down -Identify the 'd' syllable as a reference point -Note down sol-fa syllables in songs |
What steps help in identifying sol-fa notes in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 72
-Digital devices -Song recordings -Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 73 -Song charts |
- Observation
-Oral questions
-Demonstration
|
|
| 5 | 4 |
Creating and Execution
|
Composing Melody - Starting and ending melodies
Composing Melody - Creating short melodies Composing Melody - Creating melodies with rhythm |
By the end of the
lesson, the learner
should be able to:
- Sing "Go to sleep" with sol-fa syllables - Identify starting and ending sol-fa syllables - Value proper melody construction |
In groups, learners are guided to:
- Sing "Go to sleep" with sol-fa syllables -Identify which syllable the song starts on -Identify which syllable the song ends on -Discuss how the song sounds when ending -Learn about starting and ending on 'd' |
Why is starting and ending on 'd' important in melodies?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 74
-Song charts with sol-fa syllables - Mentor Creative Arts Grade 4 Learner's Book, pg. 75 -Writing materials |
- Observation
-Performance assessment
-Oral questions
|
|
| 5 | 5 |
Creating and Execution
|
Composing Melody - Making clay slabs (1)
Composing Melody - Making clay slabs (2) |
By the end of the
lesson, the learner
should be able to:
- Identify techniques for making sol-fa syllables with clay - Prepare clay for making slabs - Show interest in clay work |
In groups, learners are guided to:
- Learn about two techniques for making sol-fa syllables -Prepare clay by kneading to make it smooth -Cut a lump of clay and place on polythene paper -Discuss clay preparation techniques |
What techniques are used for making sol-fa syllables with clay?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 76
-Clay -Polythene paper -Ruler -Rolling pin -Cutting tools |
- Observation
-Project work
-Oral questions
|
|
| 5 | 6 |
Performance and Display
|
Swimming - Watching demonstrations of surface dives
Swimming - Learning the progression of surface dives Swimming - Water entry safety considerations |
By the end of the
lesson, the learner
should be able to:
- Observe key elements of surface dive techniques - Identify the body positioning in surface dives - Value proper technique in swimming skills |
In groups, learners are guided to:
- Watch video clips/demonstrations of surface dives - Observe body positioning of head and hands - Note starting and finishing positions - Discuss how to maintain balance during dives - Identify safety considerations |
What are the key elements of successful surface dives?
|
- Mentor Creative Arts pg. 144
- Digital devices for video demonstrations - Pictures of surface dive positions - Safety charts - Mentor Creative Arts pg. 146 - Charts showing dive progressions - Pictures of dive positions - Video demonstrations - Water safety charts - Pictures of safe water practices - Safety equipment displays |
- Observation
- Oral questions
- Note-taking assessment
|
|
| 6 | 1 |
Performance and Display
|
Swimming - Practicing the crouch surface dive with safety considerations
Swimming - Practicing the standing surface dive with safety considerations |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the crouch surface dive steps on land - Apply safety considerations in practice - Value proper progression in skill development |
In groups, learners are guided to:
- Practice crouch dive positions on land - Focus on proper body positioning - Follow the progression: stance, push-off, descent, entry - Practice in pairs with feedback - Emphasize safety throughout practice |
How does land practice prepare for water execution?
|
- Mentor Creative Arts pg. 147
- Safe practice area - Pictures of dive positions - Position markers |
- Observation
- Performance assessment
- Safety adherence evaluation
|
|
| 6 | 2 |
Performance and Display
|
Swimming - Water games for confidence
Swimming - Floating techniques Swimming - Mushroom float technique practice |
By the end of the
lesson, the learner
should be able to:
- Describe water games that build swimming confidence - Explain the purpose of each game - Show interest in water activities |
In groups, learners are guided to:
- Explore different water games for confidence - Discuss picking objects in water - Learn about water splash games - Explore ball games in water - Focus on safety during all activities |
How do water games help develop swimming confidence?
|
- Mentor Creative Arts pg. 145
- Pictures of water games - Props for games (balls, floating objects) - Safety charts - Mentor Creative Arts pg. 147 - Pictures of floating positions - Safe practice area - Demonstration models - Mentor Creative Arts pg. 148 - Balloons for activity |
- Observation
- Oral questions
- Game comprehension assessment
|
|
| 6 | 3 |
Performance and Display
|
Swimming - Supine floating technique
Swimming - Prone floating technique Swimming - Gliding techniques introduction |
By the end of the
lesson, the learner
should be able to:
- Demonstrate supine floating position on land - Explain the body alignment for supine float - Value different floating techniques |
In groups, learners are guided to:
- Study supine floating technique - Practice horizontal position with face up - Position hands above head with fingers pointing forward - Extend legs and feet together - Maintain streamlined position |
How does supine position help the body remain afloat?
|
- Mentor Creative Arts pg. 148
- Pictures of supine floating - Safe practice area - Demonstration models - Mentor Creative Arts pg. 149 - Pictures of prone floating - Pictures of gliding positions |
- Observation
- Position demonstration assessment
- Body alignment evaluation
|
|
| 6 | 4 |
Performance and Display
|
Swimming - Prone gliding technique
Swimming - Supine gliding technique |
By the end of the
lesson, the learner
should be able to:
- Demonstrate prone gliding position on land - Describe the wall push technique - Value gliding as a swimming skill |
In groups, learners are guided to:
- Practice horizontal body position for prone gliding - Position head in line with spine, face in water - Practice arm extension and leg positioning - Simulate wall push action on land - Maintain streamlined position |
What is the importance of streamlining in gliding?
|
- Mentor Creative Arts pg. 150
- Pictures of prone gliding - Safe practice area - Wall surface for practice - Mentor Creative Arts pg. 151 - Pictures of supine gliding |
- Observation
- Position demonstration assessment
- Streamline evaluation
|
|
| 6 | 5 |
Performance and Display
|
Swimming - Using digital devices to photograph diving performances
Swimming - Selecting appropriate photographs for e-portfolio Swimming - Discussing own and others' photographs |
By the end of the
lesson, the learner
should be able to:
- Use digital devices to take photographs - Focus on the center of interest in photography - Appreciate visual documentation of skills |
In groups, learners are guided to:
- Use digital devices to take photographs of dive positions - Focus on center of interest in photographs - Take multiple shots from different angles - Consider lighting and clarity in photography |
Why is the center of interest important in photography?
|
- Mentor Creative Arts pg. 151
- Digital devices with cameras - Models demonstrating dive positions - Photo composition guides - Digital devices with photographs - Computer for portfolio organization - Selection criteria charts - Digital devices for displaying photographs - Presentation space - Feedback forms |
- Observation
- Photography technique assessment
- Center of interest evaluation
|
|
| 6 | 6 |
Performance and Display
|
Swimming - Culminating assessment
Swimming - Water safety review Swimming - Swimming skills documentation |
By the end of the
lesson, the learner
should be able to:
- Demonstrate understanding of swimming skills - Explain safety considerations for swimming - Show appreciation for swimming as a life skill |
In groups, learners are guided to:
- Review all swimming techniques learned - Demonstrate positions for floating and gliding - Explain safety considerations for each technique - Discuss importance of swimming as a life skill - Share personal reflections on learning |
How has learning about swimming techniques contributed to water confidence?
|
- Mentor Creative Arts pg. 151
- Assessment forms - Visual aids of swimming techniques - Photographs from portfolio - Water safety charts - Poster-making materials - Safety equipment displays - Drawing materials - Booklet templates - Reference pictures of techniques |
- Observation
- Oral assessment
- Written evaluation
- Portfolio review
|
|
| 7 | 1 |
Performance and Display
|
Swimming - Water activities planning
Swimming - Community water safety |
By the end of the
lesson, the learner
should be able to:
- Plan safe water activities with peers - Incorporate learned swimming skills - Value planning for water safety |
In groups, learners are guided to:
- Work in groups to plan water activities - Include safety considerations in plans - Incorporate floating, gliding, and games - Create illustrated activity guides - Present plans to classmates |
How does planning enhance water activity safety?
|
- Mentor Creative Arts pg. 151
- Planning templates - Drawing materials - Reference materials on water activities - Local area maps - Poster-making materials - Information on local water bodies |
- Observation
- Plan assessment
- Presentation evaluation
- Safety consideration review
|
|
| 7 | 2 |
Performance and Display
|
Songs - Introduction to different types of songs
Songs - Sacred songs Songs - Singing sacred songs expressively |
By the end of the
lesson, the learner
should be able to:
- Identify different types of songs - Discuss how songs are used to pass messages - Show interest in learning about songs |
In groups, learners are guided to:
- Discuss how songs are used to pass messages - Identify different types of songs (sacred, patriotic, folk) - Study pictures of people singing in different settings - Share personal experiences with songs - Discuss occasions for different song types |
What contributes towards a good performance?
|
- Mentor Creative Arts pg. 101
- Pictures of people singing in different settings - Audio recordings of different song types - Chart showing song categories - Mentor Creative Arts pg. 102 - Audio recordings of sacred songs - Pictures of worship settings - Chart with song lyrics - Chart with song lyrics - Rhythm instruments |
- Observation
- Oral questions
- Written assignments
|
|
| 7 | 3 |
Performance and Display
|
Songs - Patriotic songs
Songs - Singing patriotic songs expressively Songs - Introduction to folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs and their purpose - Describe characteristics of patriotic songs - Show pride in national songs |
In groups, learners are guided to:
- Study pictures of patriotic performances - Listen to "Tuishangilie Kenya" and other patriotic songs - Discuss the message in patriotic songs - Explore the tempo and dynamics of patriotic songs - Learn about occasions for patriotic songs |
What messages are conveyed through patriotic songs?
|
- Mentor Creative Arts pg. 104
- Audio recordings of patriotic songs - Chart with patriotic song lyrics - Pictures of national celebrations - Performance space - Mentor Creative Arts pg. 106 - Audio/video recordings of folk songs - Chart showing folk song categories - Map of Kenyan communities |
- Observation
- Oral questions
- Listening assessment
|
|
| 7 | 4 |
Performance and Display
|
Songs - Work folk songs
Songs - Naming folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify work folk songs and their purpose - Sing a work folk song with appropriate expression - Value cultural traditions in music |
In groups, learners are guided to:
- Listen to examples of work folk songs - Discuss the purpose of work songs - Learn a work folk song from a Kenyan community - Practice singing with appropriate expression - Perform work-related movements while singing |
What is the purpose of work folk songs?
|
- Mentor Creative Arts pg. 106
- Audio/video recordings of work folk songs - Chart with song lyrics - Pictures of traditional work activities - Audio/video recordings of naming folk songs - Pictures of naming ceremonies |
- Observation
- Performance assessment
- Movement coordination evaluation
|
|
| 7 | 5 |
Performance and Display
|
Songs - Initiation folk songs
Songs - Marriage folk songs Songs - Worship folk songs |
By the end of the
lesson, the learner
should be able to:
- Identify initiation folk songs and their purpose - Sing an initiation folk song with proper expression - Respect cultural transition ceremonies |
In groups, learners are guided to:
- Study pictures of initiation ceremonies - Listen to examples of initiation folk songs - Discuss the purpose of initiation songs - Learn an initiation folk song - Perform song with appropriate expression and gestures |
What messages are conveyed in initiation folk songs?
|
- Mentor Creative Arts pg. 108
- Audio/video recordings of initiation folk songs - Chart with song lyrics - Pictures of initiation ceremonies - Mentor Creative Arts pg. 109 - Audio/video recordings of marriage folk songs - Chart with "Mueni" lyrics and translation - Pictures of marriage ceremonies - Mentor Creative Arts pg. 110 - Audio/video recordings of worship folk songs - Chart with "Geithia mundu" lyrics and translation - Pictures of traditional worship settings |
- Observation
- Performance assessment
- Cultural understanding evaluation
|
|
| 7 | 6 |
Performance and Display
|
Songs - Exploring indigenous methods of costume decoration
Songs - Learning tie-dye techniques for costume decoration Songs - Applying dye to fabric for costume decoration |
By the end of the
lesson, the learner
should be able to:
- Identify indigenous costume decoration methods - Describe tie-dye and beadwork techniques - Value traditional craft techniques |
In groups, learners are guided to:
- Watch videos/observe pictures of decorated costumes - Identify decoration techniques (tie-dye, beadwork) - Explore materials used in traditional decoration - Discuss significance of designs and colors - Examine samples of decorated costumes |
How do Kenyan communities decorate costumes for performing folk songs?
|
- Mentor Creative Arts pg. 111
- Pictures of decorated costumes - Samples of decorated fabrics - Videos of costume decoration techniques - Charts showing decoration methods - Fabric for tie-dye - String/rubber bands for tying - Samples of tie-dye patterns - Demonstration charts - Prepared tied fabrics - Dye (artificial or natural) - Containers for dyeing - Protective gloves and aprons - Cleaning supplies |
- Observation
- Oral questions
- Written assignments
|
|
| 8 | 1 |
Performance and Display
|
Songs - Learning beadwork techniques for costume decoration
Songs - Creating beadwork decorations for costumes |
By the end of the
lesson, the learner
should be able to:
- Explain beadwork decoration techniques - Identify recyclable materials for beadwork - Value sustainability in craft making |
In groups, learners are guided to:
- Explore traditional beadwork techniques - Identify recyclable materials for beads - Discuss color and pattern significance - Collect materials for beadwork - Practice simple beading techniques |
What materials can be recycled to create decorative beads?
|
- Mentor Creative Arts pg. 111
- Samples of beadwork - Recyclable materials for beads - Threading materials - Pictures of traditional beadwork - Prepared recyclable beads - Costume pieces for decoration - Display materials |
- Observation
- Material selection assessment
- Technique demonstration evaluation
|
|
| 8 | 2 |
Performance and Display
|
Songs - Selecting folk songs for group performance
Songs - Group performance of folk songs with correct diction Songs - Playing percussion instruments to accompany folk songs |
By the end of the
lesson, the learner
should be able to:
- Select appropriate folk songs for performance - Discuss performance roles for group members - Value collaborative music making |
In groups, learners are guided to:
- Review different types of folk songs learned - Select songs for group performance - Assign roles (soloist, chorus, instrumentalist) - Discuss appropriate expression for each song - Plan costume needs for performance |
What factors determine appropriate folk song selection?
|
- Mentor Creative Arts pg. 111
- Audio recordings of folk songs - Charts with song lyrics - Role assignment sheets - Performance planning templates - Audio recordings for reference - Performance space - Decorated costumes - Percussion instruments (drums, shakers, rattles) - Charts showing rhythmic patterns - Audio recordings of accompanied songs |
- Observation
- Song selection assessment
- Role assignment evaluation
- Planning participation
|
|
| 8 | 3 |
Performance and Display
|
Songs - Learning care and maintenance of instruments
Songs - Integrated folk song performance |
By the end of the
lesson, the learner
should be able to:
- Identify proper care methods for instruments - Demonstrate maintenance procedures - Show responsibility in instrument handling |
In groups, learners are guided to:
- Discuss importance of instrument care - Demonstrate proper handling techniques - Practice cleaning and storage procedures - Explore repair methods for minor damage - Create instrument care guides |
Why is proper instrument care important?
|
- Mentor Creative Arts pg. 112
- Percussion instruments - Cleaning materials - Storage containers - Instrument care charts - Decorated costumes - Performance space - Feedback forms |
- Observation
- Demonstration assessment
- Care guide quality evaluation
- Handling technique assessment
|
|
| 8 | 4 |
Performance and Display
|
Songs - Recording folk song performances
Songs - Appreciation of percussion instruments in performances Songs - Cultural exchange through folk songs |
By the end of the
lesson, the learner
should be able to:
- Perform folk songs for recording - Evaluate recorded performances - Value technology in preserving cultural expressions |
In groups, learners are guided to:
- Use digital devices to record performances - Perform folk songs for recording - Review recordings for quality and improvement - Store recordings in digital portfolio - Discuss potential uses for recordings |
How can recording technology preserve cultural heritage?
|
- Mentor Creative Arts pg. 112
- Digital recording devices - Performance space - Playback equipment - Storage devices - Audio recordings with percussion - Percussion instruments - Pictures of traditional instruments - Poster-making materials - Audio recordings from different communities - Charts comparing song traditions - Cultural artifacts |
- Observation
- Recording quality assessment
- Performance evaluation
- Digital portfolio management
|
|
| 8 | 5 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Introduction to appreciation in Creative Arts
Analysis of Creative Arts works - Aesthetic appreciation Analysis of Creative Arts works - Skills appreciation |
By the end of the
lesson, the learner
should be able to:
- Explain the concept of appreciation in Creative Arts - Identify the key aspects of art appreciation - Show interest in analyzing Creative Arts works |
In groups, learners are guided to:
- Research and brainstorm on the concept of appreciation - Discuss aspects of appreciation (behavior, aesthetic, skills, message, feedback, care) - Share personal experiences with artwork appreciation - Explore the importance of art appreciation |
What is the importance of analysis in Creative Arts?
|
- Mentor Creative Arts pg. 160
- Pictures of various Creative Arts works - Digital devices for research - Charts showing appreciation aspects - Mentor Creative Arts pg. 161 - Samples of various Creative Arts works - Charts showing aesthetic elements - Digital devices for viewing art examples - Samples of artworks showing different skills - Charts showing various techniques - Videos of artists demonstrating skills |
- Observation
- Oral questions
- Written assignments
|
|
| 8 | 6 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Message appreciation
Analysis of Creative Arts works - Giving constructive feedback |
By the end of the
lesson, the learner
should be able to:
- Identify messages conveyed in Creative Arts works - Discuss how art communicates ideas - Value art as a form of communication |
In groups, learners are guided to:
- Explore messages conveyed in various artworks - Discuss how artists communicate through their work - Interpret meanings in different art examples - Share personal interpretations of artworks - Discuss cultural and social messages in art |
How do Creative Arts works communicate messages?
|
- Mentor Creative Arts pg. 162
- Samples of message-rich artworks - Charts showing communication techniques - Cultural context information - Discussion prompts - Samples of artworks for critique - Feedback guideline charts - Role-play scenario cards |
- Observation
- Oral questions
- Message interpretation assessment
|
|
| 9 | 1 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Proper care of artwork
Analysis of Creative Arts works - Selecting artwork for display Analysis of Creative Arts works - Preparing display areas and props |
By the end of the
lesson, the learner
should be able to:
- Describe proper methods for artwork care - Demonstrate care procedures for different media - Show responsibility toward creative works |
In groups, learners are guided to:
- Explore methods for caring for different artworks - Demonstrate proper handling techniques - Discuss storage and display considerations - Practice cleaning and maintenance procedures - Create care guide for different art forms |
Why is proper care important for Creative Arts works?
|
- Mentor Creative Arts pg. 163
- Various artworks for demonstration - Care materials (cloths, containers) - Charts showing care procedures - Storage and display examples - Previously created artworks - Selection criteria charts - Display preparation materials - Selection worksheets - Mentor Creative Arts pg. 164 - Display materials (boards, stands) - Label creation supplies - Mounting materials - Decoration materials |
- Observation
- Demonstration assessment
- Care guide creation
|
|
| 9 | 2 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Displaying artwork in the school
Analysis of Creative Arts works - Taking a gallery walk Analysis of Creative Arts works - Critiquing visual artwork |
By the end of the
lesson, the learner
should be able to:
- Arrange artwork in display areas effectively - Mount artwork securely and attractively - Demonstrate pride in creative showcase |
In groups, learners are guided to:
- Arrange artworks in designated display areas - Mount works securely on boards or props - Create attractive groupings and arrangements - Label works with appropriate information - Ensure accessibility for viewers |
How does proper display arrangement enhance artwork viewing?
|
- Mentor Creative Arts pg. 164
- Selected artworks for display - Mounting materials (tape, pins) - Labels and information cards - Display areas and boards - Mentor Creative Arts pg. 165 - Displayed artwork in gallery areas - Observation worksheets - Note-taking materials - Behavior guideline charts - Displayed visual artwork - Critique framework charts - Art terminology guides - Feedback forms |
- Observation
- Display arrangement assessment
- Security and accessibility evaluation
|
|
| 9 | 3 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Describing Kenyan folk songs
Analysis of Creative Arts works - Participating in folk song performances |
By the end of the
lesson, the learner
should be able to:
- Describe folk songs using appropriate terminology - Analyze community origin, type, and instrumentation - Appreciate musical diversity in Kenya |
In groups, learners are guided to:
- Brainstorm on critical analysis of folk songs - Identify community of origin for songs - Categorize by type/occasion (work, funeral, etc.) - Analyze instrumentation and participants - Use appropriate terminology in descriptions |
How can we critically analyze Kenyan folk songs?
|
- Mentor Creative Arts pg. 166
- Audio/video recordings of folk songs - Analysis framework charts - Music terminology guides - Community information resources - Audio recordings for reference - Performance space - Traditional instruments - Costume elements |
- Observation
- Description quality assessment
- Terminology use evaluation
|
|
| 9 | 4 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Analyzing folk song performances
Analysis of Creative Arts works - Participating in netball events Analysis of Creative Arts works - Participating in athletics events |
By the end of the
lesson, the learner
should be able to:
- Analyze folk song performances using criteria - Discuss performance elements and techniques - Provide constructive feedback on performances |
In groups, learners are guided to:
- Analyze folk song performances using framework - Discuss vocal techniques and expression - Evaluate instrumentation and rhythm - Assess cultural authenticity of performances - Provide constructive feedback to performers |
What elements contribute to effective folk song performances?
|
- Mentor Creative Arts pg. 166
- Performance recordings - Analysis framework charts - Feedback forms - Cultural reference materials - Mentor Creative Arts pg. 167 - Netball court and equipment - Game rules charts - Team organization plans - Safety equipment - Running track and equipment - Event rules charts - Starting and timing equipment - Safety materials |
- Observation
- Analysis quality assessment
- Feedback appropriateness evaluation
|
|
| 9 | 5 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Participating in gymnastics events
Analysis of Creative Arts works - Analyzing teamwork in sports Analysis of Creative Arts works - Analyzing safety in performances |
By the end of the
lesson, the learner
should be able to:
- Participate actively in gymnastics events - Perform learned balances and rolls in sequence - Show confidence in physical performance |
In groups, learners are guided to:
- Participate in organized gymnastics events - Perform sequences of balances and rolls - Demonstrate proper form and technique - Support peers during performances - Show appropriate audience behavior |
How do gymnastics events demonstrate balance and control?
|
- Mentor Creative Arts pg. 167
- Gymnastics mats and equipment - Performance space - Safety materials - Sequence planning charts - Videos of team sports activities - Teamwork analysis charts - Communication guide - Cooperation strategy lists - Mentor Creative Arts pg. 168 - Safety equipment examples - Risk assessment charts - Safety guideline templates - First aid information |
- Observation
- Technique application assessment
- Sequence execution evaluation
- Performance confidence assessment
|
|
| 9 | 6 |
Appreciation in Creative Arts
|
Analysis of Creative Arts works - Appreciation across cultural backgrounds
Analysis of Creative Arts works - Final exhibition preparation Analysis of Creative Arts works - Final art exhibition Analysis of Creative Arts works - Performance showcase |
By the end of the
lesson, the learner
should be able to:
- Compare Creative Arts works from different cultures - Identify cultural influences in artistic expression - Value diversity in creative traditions |
In groups, learners are guided to:
- Explore Creative Arts works from diverse cultures - Identify influences of culture on artistic expression - Compare similarities and differences in traditions - Discuss the value of cultural diversity in art - Create cultural comparison charts |
How do cultural backgrounds influence Creative Arts?
|
- Mentor Creative Arts pg. 168
- Examples of art from different cultures - Cultural context information - Comparison chart templates - Cultural reference materials - Creative works from all strands - Exhibition planning templates - Display materials and equipment - Information creation supplies - Mentor Creative Arts pg. 169 - Display areas and equipment - Visitor guides and information - Guest feedback forms - Performance space and equipment - Musical instruments - Performance costumes and props - Program guides for audience |
- Observation
- Comparison quality assessment
- Cultural sensitivity evaluation
- Discussion participation
|
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